Word: genetics
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Dates: during 1980-1989
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...MAIDS, Satirikon Theater, Moscow. In drag and wearing extravagant eye makeup, Konstantin Raikin stars in a rare Russian version of Jean Genet's sadomasochistic melodrama, directed by Roman Viktyuk...
...whether in Chekhov's Uncle Vanya at the Moscow Art Theater or in quasi-documentary scripts about prostitutes and gravediggers performed by the city's most impressive acting troupe, the Sovremennik (Contemporary) Theater. Says Konstantin Raikin, artistic director of the Satirikon Theater, where the Russian-language debut of Jean Genet's psychosexual drama The Maids is Moscow's hottest show and among the least political: "These days, a measure of a play's appeal is to be able to say that it's not only about perestroika...
...desire for transcendence. Try as one may, one cannot imagine Gold Marilyn Monroe, 1962, being painted by anyone but a Roman Catholic homosexual; it is both completely camp in its pseudo-Byzantine extravagance and, in its identification of the star with the Madonna, yearningly devotional. Here, Warhol is Genet in paint. So too with the "disasters" and the electric chairs of the early and mid-'60s, which are truly awful in their curt, grainy enunciation of the facts of casual or ceremonial death. The sign on the wall of the death chamber -- SILENCE -- provides an essential motif of Warhol...
...production of Odon von Horvath's Figaro Gets a Divorce, a satire of dictatorship written at the height of the Nazi era, the action was shifted to a mythical region populated by figures reminiscent of Imelda Marcos, Anastasio Somoza and Fidel Castro. Harvard's American Repertory Theater relocated Jean Genet's The Balcony, a transvestite dream of sexual corruption in high places, to an unspecified Latin city gripped by revolution. Says JoAnne Akalaitis, who staged The Balcony: the Latin flavor imports "a much more visceral energy" and leads to "an art that family history, romance, politics and the history...
...pioneering role model, the only go- getting female reporter. (Older observers can recall that Brenda Starr has been tearing through the comic pages since 1940, and that real-life role models of the period included such famous bylines as Anne O'Hare McCormick, Martha Gellhorn, Dorothy Thompson, Genet, Marguerite Higgins and Dorothy Kilgallen.) As a chauvinist creation, Lois not only bungled most of her assignments and repeatedly double-crossed the faithful Clark, but also subordinated all professional demands to her one romantic obsession. After she parachutes into a flood, she tells her rescuer, "I'd like to be in your...