Word: exteriors
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Dates: during 2000-2009
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...human rights—are not enough. Many of the raised hackles stemmed from the exquisite irony of using a platform for peace for a defense of war. Yet the disconnect goes still deeper. With more clarity than ever before, Obama’s speech peeled away his slick exterior to reveal the inner workings of his moral universe—a universe that is old-fashioned, even unfashionable, and far more controversial than many of his most ardent admirers realize...
...meet, in due course, the deceived husband as well: "A brilliant neurologist, a renowned lecturer [and] a gentleman of independent means, Dr. Philip Wild had everything save an attractive exterior." Philip is older, eccentric and miserly, and he's less interested in Flora than in a bizarre experiment he's conducting on himself. As he feels his aging flesh deteriorating, he develops the habit of entering a trance wherein he pictures his body and then mentally erases portions of it; he begins with his toes, which instantly become numb. By this means, he imagines that he is bringing about...
...evidence, AbuKhalil pointed to similarities between Obama’s landmark speech to the Muslim world in Cairo and Bush’s speeches. He said both had a kind exterior but carried an underlying message that “Muslims would be tolerated, provided they do what they are told...
...would be hard to accuse Polish artist Krzysztof Wodiczko of being timid or unambitious. His works, which often utilize the exterior of entire buildings—including a former munitions factory and a cathedral—focus on what has become a highly politicized issue: the battlefields of the Middle East and their casualties. Wodiczko’s focus has been on the dialogue of veterans; he will often project video of the veterans speaking, while broadcasting their words. His most recent work, created for and shown at the Institute of Contemporary Art (ICA) in Boston, is smaller in scale...
...that, the buildings came through fine. The exterior of the Wyly is a blunt 11-story box wrapped in a palisade of vertical aluminum tubes. From head-on it looks like a silvery bar code that's been sliced by asymmetrical window slots. Anyone approaching it will be on a journey even before the play begins. You enter by way of a descent, a wide concrete ramp that slopes down to a glass-walled lobby, one story below ground, made of stark concrete and gray metal, where light swords hang like stalactites from the ceiling. From the time of Orpheus...