Word: expressionist
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Dates: during 1990-1999
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Probably Hesse's leaning to the personal, the bodily and the autobiographical would have come out in her art anyway -- she began as a painter of Expressionist heads, vaguely along the lines of Munch's The Scream -- but it was certainly helped by a year's visit to the German city of Dusseldorf in 1964-65. There Hesse came to know the work of Joseph Beuys and the post-Dada Fluxus group. From that point on -- accelerated by her admiration for artists like Dubuffet and Claes Oldenburg -- she grew more and more interested in whatever did not pertain to sculpture...
...Commissioner Gordon. BATMAN: THE ANIMATED SERIES, which is joining Fox's Sunday-night schedule after scoring big ratings in daytime, has the same dark hues as the hit movies on which it is based, but probably more entertainment bang for the buck. The animation nicely reproduces the films' shadowy, expressionist look; the action scenes really make sense; and the scripts aspire to more. This brooding superhero even paraphrases Santayana: "A fanatic is someone who redoubles his efforts while losing sight of his goal." Holy egghead...
...Heinrich Hermann Mebes (1842-?), whose tiny visionary-symbolist watercolors fall somewhere between Philipp Otto Runge and Persian miniatures; and Friedrich Schroder-Sonnenstern (1892-1982), with his fearsome moralizing fantasies; and the mental patient Karl Brendel (1871-1925), whose tiny, intense woodcarvings are so close in spirit to German Expressionist sculpture...
Passionate and energetic by nature, Johnson felt most drawn to an Expressionist idiom. His particular heroes were Chaim Soutine (especially the convulsive Ceret landscapes) and, later, Oskar Kokoschka. At the outset, his homages to Soutine's surging hills and toppling houses had a somewhat illustrational tone -- painting from the motif, he sometimes used a distorting lens to produce the effect, as earlier landscapists had used a smoked Claude Lorraine glass -- so that the image turned out more optical than visceral. But as his sense of the relations between mark and motif increased, Johnson's landscapes accumulated power, and some...
Allen's filming style spoofs the German expressionist genre--similarities to Frankenstein and The Seventh Seal abound. The film is shot entirely on soundstages designed by Santo Loquasto. Narrow cobblestone streets, gaslights and footbridges enhance the gloomy atmosphere. Shimmery ponds and a fake night sky further increase the mood and the comedy. Allen establishes the tone of the picture when a mystic (Charles Cragin), who uses his sense of smell to sniff out the strangler, leads to a torch-bearing mob through the winding streets...