Word: expressionist
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Dates: during 1970-1979
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...landmark sale: the prices realized at the auction will serve as reference points for years to come. Thus in the hierarchy of cash a relatively obscure artist by world standards ranks, for now at least, above any Dutch old master, any English painter, any French impressionist, any American abstract expressionist, any sculptor...
...Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule, Segal's figures are not identifiable. They are generalized, spectral presences, muffled in the folds of calcified gauze, their skin roughened with residual abstract-expressionist drips and clots. It hardly matters that the stooped Gerontion in Segal's Hot Dog Stand, 1978, is a cast of the sprightly museum director Martin Friedman; what does count is the peculiar tension between his dark shape and the bright white figure of the waitress, under the glare...
Under Colin Graham's direction, the story-adapted from two plays by German Pre-Expressionist Frank Wedekind-unfolds in swift, biting scenes (given fine clarity by Arthur Jacobs' translation). The mysterious Lulu is a dancer, an amoral enchantress, perhaps a force of nature. She first rises through society, then falls disastrously, as lovers contend for her elusive soul and all too accessible body. Throughout the opera, a large portrait of her hangs onstage-one of Berg's many specifications that were sometimes ignored in the past...
...main cultural facts of the '70s was an upsurge, in the U.S. and Europe alike, of realist painting. It came in all modes, from gaudy airbrush renderings of photorealist motorcycles to inflated history painting, and in all emotional temperatures, from gelid beaux-arts nudes to the expressionist rant of political muralists in East Berlin. Much of it was instant art, and instantly disposable. But a striking deposit of achievement remains, and one of its components is the work of the Israeli painter Avigdor Arikha. A scrub-haired, passionately erudite man of 50, Arikha is best known in Paris, where...
...light in Arikha's paintings is dry and chalky. It conveys a sense of frugality, but with no question of expressionist pathos. His motifs are not actors in a drama of pathetic fallacy, but resistant fragments of the world, the nonself. But what is so gripping about his work is the in tensity with which Arikha engages that world. He speaks of the "hunger in the eye" that drew him away from abstract painting in 1965, and kept him doing nothing but black-and-white brush drawings and etchings from life for eight years. In his paintings since...