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Word: expressionist (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

American abstract expressionist painting "is not likely to be rubbed out." It just does not exist. That stuff is an effort to paint, which is frustrated by robot ethics-America's interpretation of what culture is. America has no human culture whatsoever...

Author: /time Magazine | Title: Letters, Sep. 15, 1958 | 9/15/1958 | See Source »

Primitive, provincial and expressionist by choice, Hjorth distorts form to achieve more powerful effects, offends many a conservative Swede. His mural for Stockholm's Caroline Hospital showing a coarse peasant Christ surrounded by nude suppliants so shocked the hospital authorities it was consigned to the basement, and only later rescued by the city's Museum of Modern...

Author: /time Magazine | Title: Art: A Sculpture for the Lapps | 9/1/1958 | See Source »

...Birches; second ($750), Social Realist Semyon Shimin, 55, for his Discussion Groups-Rome, sketched in Rome during the 1956 elections but finished in Manhattan; and third ($250), Milton Goldring, 40, also a New Yorker, for his Shadow and Substance. The predominant tone of the festival is abstract expressionist, and imitative of the leaders of that movement...

Author: /time Magazine | Title: Art Town, 1958 | 8/18/1958 | See Source »

...exhibitions of U.S. abstract expressionist paintings on view at the Brussels World's Fair (TIME, June 16) and making the rounds of major European cities as "The New American Painting" show (TIME, Aug. 4), have aroused some ahs, some boos and a great deal of hullabaloo. Tourists, critics, even State Department officials have suggested that these works give a one-sided-and distorted-glance at the U.S. world of art. This week a new European show of American paintings is stressing another side-realism...

Author: /time Magazine | Title: Art: American Realism Abroad | 8/18/1958 | See Source »

...show was organized by Signa's three painter-directors, John Little, Elizabeth Parker, Alfonso Ossorio, each of whom holds a respectable niche in the expressionist movement. "We thought of this theme," said Ossorio, whose Reconciler is one of the exhibit's highlights, "because we knew that among our group many were trying to put on canvas the very essence of human experiencing. That is what we mean when we say [as Pollock used to] 'to get into the painting.' There is nothing detached or eccentric about our work. It is a total commitment, and once expressed...

Author: /time Magazine | Title: Art: Human Image in Abstraction | 8/11/1958 | See Source »

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