Word: everingham
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...what's the key to success in bull riding? "Have fun," says Duggan-and he's not joking. His cousin Anthony Everingham, 27, who did ride a bull tonight, agrees: "You've got to be switched on, get your mind thinking right, forget about the pain and the danger, and relax." If you can do that, "the rush is amazing," says Duggan, who, like Everingham, lives near Rocky and started riding poddy calves at 13. "The more you do it, the more you want to come back and back." It's as much a mental game as a physical...
...well as a follow-up $4.6 billion offer from Kohlberg Kravis Roberts, a New York City investment firm, Kroger's management proposed to sell off dozens of properties, slash costs and offer its stockholders cash and bonds worth up to $60 a share. Says Kroger CEO Lyle Everingham: "The company is not for sale...
...regime's figures do not include 12,000 unfortunates who have been packed off to Phong Saly. There, no pretense at re-education is made. As one high Pathet Lao official told Australian Journalist John Everingham, who himself spent eight days in a Lao prison last year, "No one ever returns...
Their paces are admirable. The production is remarkably finished for a repertory company opening night. Every element works toward lucid characterizations. Everingham stands the characters in close confrontation: Raskolnikov (Paul Glaser) who murders to test a philosophy, stands in a limp full shirt and baggy trousers next to John Lithgow's ramrod prissy Luzhin, the rich, hollow financee of Raskolnikov's sister. The lines of character like the lines of John Braden's sets are balanced, clear and instantly defined. Bea Paipert creates two brief roles, the hunched, old pawnbroker Raskolnikov kills and a crazy madam at a police station...
...that one sees little but characterizations, and cameo characterizations at that. The production is a series of marvelous still photographs freezing colorful characters in revealing attitudes. There can be some movement within scenes: a first-act police station swarms with people, voices and crimes in a little masterpiece of Everingham's physical and vocal choreography. Glaser and Kramer, and Glaser and Miss Walker can move toward climax and depth in the confines of a single scene. But little holds the scenes together, and when in the third act the play enters its third hour at the same time...