Word: eveningã
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Praising the student creators of the evening??s installations, Hagebölling said, “Media scenography is exciting for young people today because of the openness of the field and the new technological developments in media... We are constantly looking back to see what we can learn and what we can expand, but it is also important to change our attitudes and styles...
While the admissions officers enjoyed cheese, crackers, and champagne (donated by a grateful alumnus), Dean of Admissions and Financial Aid William R. Fitzsimmons ‘67 toasted the newly admitted class—who would learn of their acceptance via email after 5 p.m. that evening??and extolled the admissions officers’ work...
Despite Wednesday evening??s enfeebled river run, students displayed the same unfettered exuberance as in previous years when they awoke early the next morning for Housing...
...evening could have had no better finale than Johannes Brahms’ Symphony No. 3 in F major. Cortese skillfully guided the interplay of violins, cellos, French horn, and oboe through the thick harmonies of the first and second movements. The highlight of the evening??s performance was undoubtedly the third movement, with a hauntingly poignant melody that does not easily leave memory. Driven by the orchestra’s momentum, Cortese led the fourth movement to the evening??s positively triumphant conclusion...
Concluding the evening with Mozart’s Symphony No. 35 in D major, or the Haffner Symphony, BachSoc revealed the careful attention it paid to its selection of the evening??s works. The Haffner Symphony was a surprising segue from “Nightclub Scenes,” as it celebrated the classical period that influenced Prokofiev and Poulenc’s modern works. With Cohler conducting, BachSoc ended the Haffner Symphony with the exuberance that this work demands, as a final display of the refined sound that the orchestra conveyed throughout the night...