Word: dissimilar
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Dates: during 1980-1989
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...Jones adds, the situation is "not dissimilar from where the state of Massachusetts is now in terms of available resources...
...critically acclaimed novella. He is also the younger brother of Geoffrey Wolff, whose own memoir, The Duke of Deception (1979), introduced tens of thousands of readers to the bizarre saga of the Wolff family. Although these two narratives have kinship and blood in common, they spring from dissimilar circumstances. The parents split up when the brothers were young. Geoffrey stayed east with his flamboyantly fraudulent father; Tobias drifted west with his mother, a lively woman who, the son writes, suffered from a "strange docility, almost paralysis, with men of the tyrant breed...
Folk traditions of quite another, although not dissimilar, sort animate a second fluky hit, The Gipsy Kings. The record, sung in a Gypsyfied merging of Spanish and French, sold well over a million copies in Europe and interested the intrepid Elektra in a U.S. release. All members of the same family, the Gipsy Kings make up a jolly band that combines the sly funk of salsa and the brio of flamenco with some of the blowout intensity of rock. The band does have mainstream appeal. The "adult contemporary" step-uncle of MTV, VH-1, recently chose the Kings' video...
...difference is that two very dissimilar cultures have come together -- and sometimes have not come together -- to produce what has been hailed as "a new kind of workplace." Back in the early '80s, Toyota's president said the company would never operate a U.S. plant organized by the U.A.W. For their part, more than a few U.A.W. people said they'd never work for "the Japs." Five years later, the effect the two cultures have had on each other can be summed up in one sentence: the Americans are working better, and the Japanese are enjoying life more...
Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure...