Word: directorate
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Dates: during 1930-1939
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...hour of need. After a brief total immersion in Gone With the Wind, Sidney Howard arrived in Hollywood in the spring of 1937. With Selznick's famed marked copy of Gone With the Wind as a starter, Selznick, Howard and George Cukor (to supply the director's angle) spent twelve hours of a series of hot summer days, hammering out G With the W Script No. i. When finished, it contained 30,000 words, would have required five and a half hours to run if it ever had been shot. It never was. They made another. Then Selznick...
...choice of Vivien Leigh was not altogether a surprise to Vivien Leigh. British Director Victor Saville, now in Hollywood, read one of the first copies of Gone With the Wind to reach England. As soon as he had finished it, he rushed to the telephone and mischievously called Vivien Leigh. Said he: "Vivien, I've just read a great story for the movies about the bitchiest of all bitches, and you're just the person to play the part...
When Cukor "resigned," Vivien Leigh and Olivia de Havillanc? charged into Selznick's office and in an emotional, sometimes tearful scene, pleaded with him to keep Cukor. Being smart women as well as capable actresses, they realized that the chances of getting another director with the same peculiar interest in women's roles were very slim. But they were fighting a lost cause...
Though Clark Gable taught Vivien Leigh to play backgammon, and never won a game from her, they were not the best of friends. Director Fleming and Cinemactress Leigh differed over the interpretation of Scarlett, to which Fleming wanted to restore the "guts" he thought George Cukor had taken out of it. Vivien...
...interminable dissatisfaction with the script. Hours were wasted while it was written on the set. Fleming confessed to a friend in the cast that at one point he thought of driving his car off a cliff he was passing, and finally went to bed for a week while M.G.M. Director Sam Wood (Good-Eye, Mr. Chips') carried...