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...Fleming's largely underappreciated work in Gone With the Wind, which he took over from George Cukor halfway through shooting: "Most accounts of Gone With the Wind focus on everything [producer David O.] Selznick did before Fleming arrived ... but rewrites continued during filming, and as [F. Scott] Fitzgerald wrote of Fleming for a 1939 lecture tour by [Sheilah] Graham: '[He was a] fine adaptable mechanism - which in the morning could direct the action of two thousand extras, and in the afternoon decided on the colors of the buttons of Clark Gable's coat and the shadows on Vivien Leigh...

Author: /time Magazine | Title: Why Victor Fleming Was Hollywood's Hidden Genius | 12/22/2008 | See Source »

...There are people who will tell you that this is one of Hitchcock's greatest films. So long as there is a world that includes Vertigo, Notorious, Psycho and Marnie, those people will be wrong. All the same, Hitchcock's lustrous American debut, the film David O. Selznick tempted him across the Atlantic to do, is a pleasure no sane person refuses. And Criterion's package is particularly rich with extras. In addition to footage from the 1941 Academy Award ceremony, where Rebecca picked up Oscars for Best Picture and Cinematography, the disc's extras include three one-hour radio...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...Someone had to break this monopoly, and it wasn't a movie tough guy or tart. Olivia de Havilland, yet another Warners contract artist, had specialized in doe-eyed darlings, notably as Melanie in Gone With the Wind- again, a loan-out, this time to the Selznick Studio. And again, she wanted to expand her range. When Warners kept casting her in all-sugar, no-spice roles, de Havilland balked and was suspended. She then challenged the studio in court, arguing that since the period of suspension was routinely added to the length of the contract, an actor...

Author: /time Magazine | Title: Spanking Stars Who Misbehave | 8/24/2006 | See Source »

WEDNESDAY: The Paradine Case. (1948) Hitchcock in the courtroom for a murder trial with Ann Todd as a mystery woman being defended by able Gregory Peck. Lavish production form David O. Selznick. CH.5...

Author: NO WRITER ATTRIBUTED | Title: television | 4/23/2004 | See Source »

WEDNESDAY: The Paradine Case. (1948) Hitchcock in the courtroom for a murder trial with Ann Todd as a mystery woman being defended by able Gregory Peck. Lavish production form David O. Selznick. CH.5...

Author: NO WRITER ATTRIBUTED | Title: television | 4/22/2004 | See Source »

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