Search Details

Word: diaghilev (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...launch deals like the one with Covent Garden, Gergiev has very little help. Surrounded by old-school functionaries, he must train a staff that can do business with the West. He seems to proceed on instinct, with more than a little of the old Diaghilev in him. Often he will end a long evening on the podium with a couple of hours of nuts-and-bolts negotiating...

Author: /time Magazine | Title: Paying The Price of Freedom | 7/20/1992 | See Source »

...ancient crone sweeping and cackling, the commedia dell'arte clowns, the quartet of nude women gently interweaving in a dance, the men employing a variety of bird noises, the eerily believable copulation between a girl and a skeleton also bring to mind Cocteau and Gertrude Stein and Picasso and Diaghilev. If more explicitly violent and more frequently nude than necessary, Miracolo is nonetheless a fitting tribute to what was freshest and most original in early 20th century art. Recalling it, audiences may well end as Cinderella does, despite her tribulations, in Into The Woods. Once on the throne, she wants...

Author: /time Magazine | Title: Show Business: A Coney Island of the Mind | 6/27/1988 | See Source »

...developed his wry, sweet and irrepressibly meshuggeneh visions in the two great forcing houses of modernism between 1900 and 1925: Paris and Russia. As a student in St. Petersburg up to 1910, he came under the wing of Diaghilev's designer Leon Bakst; an enlightened Jewish patron, Max Vinaver, sent him to Paris that year. He took a studio in a rickety building near the slaughteryards and found that his neighbors were Soutine, Leger and Modigliani. Back in Russia by 1914, Chagall waited out World War I (and was plunged into the Revolution) in the company of Tatlin, Malevich...

Author: /time Magazine | Title: Art: Fiddler on the Roof of Modernism: Marc Chagall: 1887-1985 | 4/8/1988 | See Source »

Collaboration among prominent avant-gardists, of course, is nothing new. In 1910 Serge Diaghilev, the flamboyant Russian impresario and leader of the Ballets Russes, brought together Composer Igor Stravinsky and Choreographer Michel Fokine to create The Firebird; and Composer John Cage and Modern Choreographer Merce Cunningham have worked together frequently. Nor is it unheard-of for a rock musician to hang out with the classical avant-garde: Frank Zappa, formerly of the Mothers of Invention, has had his serious chamber works conducted by no less than Pierre Boulez. What distinguishes the SoHo artists is the familiar ease with which their...

Author: /time Magazine | Title: North of Dallas, South of Houston | 10/27/1986 | See Source »

...Baryshnikov: a performer who extends the boundaries of male virtuosity, in that sense the most modern of ballet dancers. But in the clarity and fastidious detail of his technique, as well as his warmth and amplitude, Baryshnikov evokes nostalgia-for the perfumed legends of Nijinsky and the Diaghilev troupe that first ignited the passion for ballet in the West. It is no small feat to capture this double image in a twelve-minute work, but Tharp has done...

Author: /time Magazine | Title: Dance: Adding Some Sizzle at A.B.T. | 6/13/1983 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | Next