Word: diaghilev
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Dates: during 1930-1939
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...Boston Museum now contains a collection of four small but expertly done paintings by Leon Bakst, chief artist for the "Ballet Russe" when Diaghilev was in charge of its production. Bakst is of great historical importance because his method and style revolutionized the application of the decorative arts to the theatre. The main tenet which symbolized the essence of his program was unity, unity not only as far as the technique of his art was concerned but also in regard to the emotional compactness of the entire artistic production. Bakst's designs for scenery and costume were unique in that...
...think of Bakst in the light of his co-workers, men such as Picasso and Derain, for it was Bakst who supervised the artistic endeavors of these men while they were connected with the "Ballet Russe"; and it was about this time that Stravinsky, at the request of Diaghilev, composed his "Petrouchka" and "The Fire Bird" for presentation by the company...
...three absolutely last-word fashionables-Musician Erik Satie, Poet Jean ("Birdcatcher") Cocteau and Ballet Impresario Sergei Diaghilev-spirited Picasso out of the dumps and off to Italy to paint decor for a ballet, Parade. It has never been publicly known that Picasso not only did the cubist decor for this extravaganza but rewrote Cocteau's book. In Rome he fell in love with a minor member of the Diaghilev ballet, Olga Koklova, and found himself faced with the unusual demand for a Russian-Orthodox Church marriage. In 1918 the marriage took place in Paris, and the Picassos moved into...
...quality in Christopher Wood's later paintings which during his lifetime of 29 years won the admiration of Augustus John, Diaghilev, Cocteau, Picasso, and which has caused them to be valued by their owners at prices up to $10,000 is a quality found everywhere in English poetry but exceptional in English painting : magic of imagery. Artist Wood sharpened his delicate color sense on Picasso but his line and composition were personal, quaint, candidly visionary. He produced nearly 500 oil paintings in ten years, turned out four a week during his last summer vacation in Brittany. London...
...last week, when flies in de Basil's soup seemed thickest, handsome Prince Serge Obolensky (onetime Diaghilev supporter) and his cohorts of Manhattan socialites (Aldrich. Biddle. Vanderbilt et al.) and White Russians thundered to the rescue. To the Obolensky-de Basil standard rallied white-haired Choreographer Michel Fokine, several of whose past creations (Don Juan, Les Eléments, L'Epreuve d' Amour) already studded the proposed repertory of the Massine-World-Art company. Besides the exclusive future services of Choreographer Fokine, the Obolensky-de Basil company acquires the bulk of the present repertory costumes and scenery...