Word: curtain
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Dates: during 1950-1959
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Such Greek problems as Cyprus and the threat of Iron Curtain countries to the north got a thorough going-over during Ike's talks with Premier Constantin Karamanlis. The Greeks, too, delicately hinted that the President should not put too much stock in Russian peace talk, reminded him that they had fought a bitter civil war to drive the Communists out of the country after World War II. Greece had staked out a priority interest in all Balkan affairs, and got from Ike his assurances that the U.S. and Greece would consult on such affairs...
Just before curtain time, a member of the audience took the stage. He wore a dark blazer, his goatee was white as a light bulb, his hearing aid seemed to be made of sterling silver. The invited audience-a collector's treasure of florists, bellhops, desk clerks, Schrafft's waitresses, Western Union girls and airline hostesses fell politely silent. Frederick Alden ("Perky") Warren, the man onstage, was their host. He had bought every seat in off-Broadway's Sheridan Square Playhouse to take them to the long-running (seven months) revival of Jerome Kern's Leave...
Just before the final curtain at a Broadway opening one night last week, the theater critic of the New York Times, a mild, slender, unassuming man with steel-rimmed spectacles and a grey mustache, slipped inconspicuously out of the Lyceum Theater and walked two blocks back to his paper. He settled into his chair on the third floor of the Times building on 43rd Street, and following the practice of years, spread out the theater program, a dozen freshly pointed pencils and a legal-size pad of lined paper. Then, writing by hand, one paragraph at a time-each snatched...
...solid (5 ft. 8 in., 150 lbs.) and imposing woman, Dramatic Soprano Nilsson was discovered, as the curtain rose, pacing the deck of the ship bearing Isolde to King Mark of Cornwall; for all the world she looked like a handsome Viking figurehead. In the long, angry denunciation of Tristan that followed, she displayed a big, flashing, vibrant voice that galvanized her audience and conveyed an immediate sense of the turbulent passions that animate the role. As the opera unfolded, Soprano Nilsson continued to dominate the stage with such ringing power that she cut without difficulty through the opulent textures...
Roar of Agony. Without overture or curtain, the opera opened with Oedipus singing expository lines of 69 German syllables, every one of them on middle C. The orchestra then established the only genuine motif in the entire work-a rapid, stepwise up-and-down flourish that occurred again and again, eventually became Oedipus' climactic roar of agony. The work unfolded without set pieces or arias, and the staging by Director Günther Rennert was similarly spare, e.g., when Jocasta (Soprano Astrid Varnay) learned that she was the mother of Oedipus she threw her head back with mouth agape...