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Perhaps the best way to convey the horror of what happened at Fort Hood would have been not to present the nearly life-size face of a killer on your cover but to share photos of his many victims...

Author: /time Magazine | Title: Inbox | 12/7/2009 | See Source »

...With themes like this, the movie could have gotten bogged down in a desire to convey profundities. But Pippa is too good-humored and lovingly wise to be pretentious. Suky is a tragic figure, but Bello is very funny. Arkin looks silly in his flashback hairpiece, but he gives Herb the nuance he needs, irascible charm all bound up in entitlement. Keanu Reeves plays Chris, the "half-baked" son of Pippa's neighbor Dot (Shirley Knight), whose lack of guile makes him unexpectedly good company for Pippa as she loses her own social graces...

Author: /time Magazine | Title: Pippa Lee: Robin Wright Penn's Moment | 11/25/2009 | See Source »

When Obama visited Japan to advance America’s foreign-policy agenda, he attempted to convey cultural awareness by bowing. His bow was not perfectly executed. In this case, though, it’s the thought that counts. The intention of the bow was not to show submission or excessive deference. Critics who claim the bow served as a sign of weakness are misguided. The gesture solely demonstrated cultural sensitivity and was essentially harmless...

Author: By The Crimson Staff | Title: America the Genteel | 11/20/2009 | See Source »

Leigh Anne’s relationship with Michael forms the soul of the story. Both characters are limited in what they can verbally communicate to each other, but their silences convey their mutual struggle as they attempt to understand their respective circumstances. As Michael, relative newcomer Aaron is a strong yet vulnerable gentle giant—or, as Leigh Anne affectionately terms him, Ferdinand the Bull, the hero of his favorite children’s book. Bullock, too, wholeheartedly inhabits her role as pushy, driven, no-nonsense Southern wife cum interior decorator, complete with a perfect accent no doubt drawn...

Author: By Anna E Sakellariadis, CRIMSON STAFF WRITER | Title: The Blind Side | 11/20/2009 | See Source »

...dynamic stage direction affords the audience a rare glimpse into Poe’s psyche. Unfortunately, this “glimpse” extends into an hour and a half long exposition, a bit generous for the lack of a distinct plot; further, the abundance of scenes constructed to convey a universal sense of loss causes the theme to become less affecting in its repetition. Despite this, “Nevermore” does an excellent job of presenting an understanding and sympathetic vision of its antihero...

Author: By B. marjorie Gullick, CONTRIBUTING WRITER | Title: ‘Nevermore’ Reimagines Poe | 11/13/2009 | See Source »

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