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Possibly, the Russian Constructivists' preoccupation with space (and not with the resultant mass of carving or of modelling), enabled this group of artists to look at society in spatial terms. No longer did the Soviet society have to be a mass that could only be carved away or molded into massive forms, but instead, society was more than pliant; the artist could construct a society; he could create the gestalt rather than merely alter it; the Constructivist was concerned with a new metaphysics in terms of tectonics...

Author: By Meredith A. Palmer, | Title: Construct, In Russian, Doesn't Mean Carving Soap | 2/10/1971 | See Source »

...factura is the condition of the material, then the construction discovers the actual process of putting together . . . the formation of conception through the use of worked material. All hail to the Communist expression of material building!" (from Constructivism by Alexci Gan, the first important publication of the Constructivist group's ideology...

Author: By Meredith A. Palmer, | Title: Construct, In Russian, Doesn't Mean Carving Soap | 2/10/1971 | See Source »

...founder; some argue that his brother, Antoine Pevsner, has an equal claim; and some urge the case of Painter Kasimir Malevich. Now Stockholm's Modern Museum has mounted an exhibit of paintings, photographs and models designed to show that Vladimir Tallin (1885-1953) was the most constructive constructivist...

Author: /time Magazine | Title: Sculpture: The Most Constructive | 8/9/1968 | See Source »

Tatlin's constructivist ideas were inspired by a visit to Paris, where he saw Pablo Picasso's cubist collages. He returned to startle Moscow in 1915 with an exhibit of totally abstract collages made of tin, piping and paper. "Scandal!" cried the critics. Tatlin responded by coining the word constructivism, indicating that his art was essentially creative rather than destructive. Malevich, Gabo and others thereupon declared themselves constructivists...

Author: /time Magazine | Title: Sculpture: The Most Constructive | 8/9/1968 | See Source »

...case of New Orleans-bred Lillian Florsheim, ex-wife of the late Shoe Manufacturer Irving Florsheim, art appreciation has led herto both collecting and creating art herself. Her constructions are composed in the constructivist vernacular that she favors in her collection, which is rich in Vasarely, Albers, Calder and Gabo. For the past two years, she has held shows at Chicago's Main Street Galleries, has sold work to Collectors Mayer, Bergman and Connecticut's Joseph Hirshhorn...

Author: /time Magazine | Title: Collectors: A. Life of Involvement | 3/29/1968 | See Source »

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