Word: conscious
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Dates: during 1950-1959
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...created his weirdest world--universe, I should perhaps say--in Macbeth. And its words somehow penetrate to the very marrow of one's bones and take possession of one's whole being; Shakespeare here reaches in us the three states he has plumbed so deeply in his characters: the conscious, the sub-conscious, and the unconscious. The last two are states that we today really understand little better than do the characters in the play; the people in Macbeth are constantly baffled (what other play contains such a large proportion of questions?), and so are we. Much of the fantastic...
France has one of the best and most buoyant steel positions in its history, raised production to a record 16.2 million tons last year. The industry is modern, research conscious and anxious to win new markets. Though Japan is still considered a high-cost producer of iron and steel-mainly because it has to import raw materials-it also manages to compete actively abroad, is moving into South America at the expense of the U.S. industry. Japan's steel industry is dominated by six big firms led by Yawata Iron & Steel, under President Arakazu Ojima, who wants the industry...
...imaginative and functional, though the shutter effect is very reminiscent of the projections used in the Broadway production of Cat On A Hot Tin Roof. In both costumes and lighting there is a lack of warmth and color, which seem so essential to an author as color-conscious as Williams...
Some of the products of charlatans have an ancient history. A turn-of-the-century fashion in ample bosoms produced "Bust-O-Fill"; the current bosom-conscious fad has resulted in "Kurv-On," "La Contour" and "Charm-On," which, says the Food and Drug Administration, "have about the same effect on the development or structure of the female breast as Smith Brothers cough drops." The "magic detector" of Dr. Albert Abrams, a roaring success in the '20s, popped up again last year in San Francisco. The detector enabled Dr. Abrams to "tune in on the electric vibration coming from...
Among the Renaissance characteristics are balance and symmetry, which Romeo and Juliet has in superabundance. An early member of the canon and only the author's second attempt at tragedy, the play is at times literarily self-conscious and structurally too obvious in its symmetrical balance. Every idea has its complement: love vs. hate, day vs. night, patience vs. impetuosity, chastity vs. bawdry, and so on. Every character has its foil: Romeo and Mercutio, Juliet and Roasline, Benvolio and Tybalt, Friar Laurence and the Nurse. If it is not a supreme achievement, it is still a great play...