Search Details

Word: conscious (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...General Sherman said: 'Madam, you got spunk'"). Last week Atlanta was more self-conscious of its present and its past than any other U. S. town...

Author: /time Magazine | Title: GEORGIA: Crossroad Town | 12/25/1939 | See Source »

...erected to make Atlanta's Grand Theatre look like Tara (the O'Hara plantation in Gone With the Wind) streamed a privileged 2,031 who were going to see the picture whose title Hollywood had been abbreviating for three years as G With the W. They were conscious of participating in a national event, of seeing a picture it had taken three yea~s to make from a novel it had taken seven years to write. They knew it had taken two years and something akin to genius to find a girl to play Scarlett O'Hara...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...Chose for their 1940 president Phi Beta Kappa Prentis of Armstrong Cork. Said he: Businessmen "must recognize their historical mission as preservers of human liberty . . . eliminate unethical practices in their own enterprises ... be keenly conscious of the social significance of their day-by-day decisions ... be industrial statesmen rather than mere businessmen...

Author: /time Magazine | Title: TYCOONS: In Congress Assembled | 12/18/1939 | See Source »

During World War I (which sent the price of tin to $1.10 per lb.), U. S. war planners became tin-conscious. A U. S. tin smelter was built to process East Indian ore imported direct into the U. S. but British interests, practically monopolizing world tin mining and smelting, slapped export taxes on ore shipments to the U. S., stifled the infant U. S. tin-smelting industry...

Author: /time Magazine | Title: METALS: Tintinnabulations | 12/11/1939 | See Source »

...clean spaciousness within which each part of the painting exists, are the work of a master painter. No element in Hopper's piece is created "in vacuo"; the houses, mountains, and the water are each related to the other in a very real sense, yet we are not conscious of any obvious attempt on the part of the artist to bring these elements together by means of labored and intricate composition. We find no straining at the leash of any one part to break into prominence and destroy the equilibrium which exists. The Sargent paintings, on the other hand, although...

Author: By Jack Wilner, | Title: Collections & Critiques | 12/11/1939 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next