Word: commercialã
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Dates: during 2002-2002
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...commercial?? work can be amazing as well—take Koto Bolofo’s editorial for L’Uomo. More like a photo of an Alvin Ailey practice session than a fashion shoot, the photo captures the grace of four men in black tank tops tumbling over each other in the passion of their basketball game. Takehasi Hamma’s “Louis Vitton, Ginza, Tokyo,” is eye-popping in a much different way. It causes the viewer to focus on the hypnotic architecture of the namesake’s department...
Which, you’ve got to admit, doesn’t happen much. Certainly the photos in the “commercial?? section are more aimed at convincing a restless public that the featured designer is “on the edge” and “trendy” rather than inspiring spontaneous shopping frenzies. It’s sort of an Emperor’s New Clothes phenomenon: No one is going to be caught dead in the translucent white, yellow chest-belted shirt of Frank Lingnau and Tom Schumacher?...