Word: comebacks
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Dates: during 1990-1999
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Near the end of the game, with the Crimson attempting a comeback, the Huskies also showed off their poise and experience. Even though they had been outrebounded all day, with 2:06 to go the Huskies got three straight offensive rebounds which took 1:21 off the clock and left the Crimson with almost no time left to overcome the deficit. Hammick had two of those rebounds, including one off his own shot...
...RYDER CUP TEAM It shouldn't have been close. But as the final day's play began, the Sergio Garcia-led Euros were on the brink of humiliating the superstar-laden U.S. team again. Then the Americans made the most remarkable comeback in Ryder Cup history, winning 9 of 12 matches--and exulting with an ungolflike, but very American, dog pile on the 17th green...
...JOHN ELWAY After nearly a lifetime of playing the loser, the NFL's greatest comeback strategist applied that same skill to his career, winning a second Super Bowl before deciding his pained body couldn't handle any more. You can credit the coaching, the line or Terrell Davis, but the Broncos collapsed when Elway left...
...often dark, comedy does not escape this production. As the precociously naive and fashion-impaired George Aaronow, Juri Henley-Cohn ('00) delicately handles and balances a role which, had it been exaggerated, might have destroyed the naturalism of the piece. As Shelley Levene, an aging seller desperate for a comeback, Paul Monteleoni ('00) continually provides the play with energy and freshness. If ever this humorous vitality turns unwieldy, Monteleoni always manages to rein himself back in with a sudden change of tone or an expression that reestablishes realism in the scene. Although saddled with one of the play's less...
...like most soap operas, this one is gearing up for another emotional climax. It's a comeback on Broadway, where Liza opens this week in a month-long concert engagement at the Palace Theater, where Garland herself once staged a famous comeback. Called Minnelli on Minnelli, Liza's show is a tribute to the movies of her father Vincente, director of such classic Hollywood musicals as Meet Me in St. Louis, An American in Paris and Gigi. In it she reminisces a bit, shows pictures from the family album, sings numbers identified with her mother that she would never touch...