Word: clockwork
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Dates: during 1990-1999
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Einstein's theory of relativity not only upended physics, it also jangled the underpinnings of society. For nearly three centuries, the clockwork universe of Galileo and Newton--which was based on absolute laws and certainties--formed the psychological foundation for the Enlightenment, with its belief in causes and effects, order, rationalism, even duty...
...after that, the new men who superseded him: Copernicus, Kepler, Descartes and Galileo, who died in 1642, the year Newton was born). Riding on the shoulders of giants--and correcting the giants where they went wrong--Newton began assembling and perfecting the Newtonian universe, a miraculously predictable and rational clockwork creation held together by his universal gravitation and regulated by his elegant laws of motion...
...marriage (her fourth), but can't quite escape her taste for sexy, damaged guys. In a film that moves with an easy, unforced pace, she settles in with a truck driver (played by director and co-writer Gavin O'Connor) who's good in bed but damply insistent on clockwork routine outside it. She has a job that matches her relationship--too much filing--and a daughter who fills her good-to-bursting heart...
Fight Club tries to turn the same self-referential tricks as Smith's movies as an antidote to the violence of yuppie angst. The Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately...
...Fight Club tries to turn the same self-referential tricks as Smith's movies as an antidote to the violence of yuppie angst. The Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately...