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Early one Saturday last May, a thin, grim line started forming outside the Royal Opera House at London's Covent Garden. All through the long Whitsun weekend it sweltered and swelled, until, the following Tuesday, tickets went on sale for the first London performance of Cherubini's Medea in 89 years. Within three hours every seat in the house was sold out. Last week the lucky ticket holders finally got a look at what they had battled so tenaciously to see: Maria Meneghini Callas in the role of Euripides' savagely tormented heroine...

Author: /time Magazine | Title: Music: Callas at Covent Garden | 6/29/1959 | See Source »

Among other Experimenters to "pioneer" countries, Michael A. Curran '60 will be a member of the Experiment's first group to Cracow, Poland, and Thankful D. Bailey '61 will be the first Radcliffe Experimenter to travel to Nigeria. The Experiment awarded a Stettenheim scholarship to John Cherubini '60 for his trip to Italy...

Author: NO WRITER ATTRIBUTED | Title: 55 Students Will Spend Summer 'Experimenting' in Homes Abroad | 5/29/1959 | See Source »

There are many "unknown" works in musical literature whose neglect is unfortunate, but nevertheless understandable. Cherubini's second Requiem Mass, which the Harvard-Radcliffe Orchestra performed last night with the Williams Glee Club, is one of these...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 12/6/1958 | See Source »

...Cherubini was an important figure in musical history, due mainly to his work in the early romantic opera and the fact that he was an influential composer in the early 19th Century. Today, his works, with few exceptions, are praised but unperformed, the D minor Requiem being a case in point. It contains moments of great beauty, and dramatic power; but these are moments only, and the total impression of the work is that of formless wandering, held together by the text rather than any musical coherence...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 12/6/1958 | See Source »

...resignation of Dite alia giovine and the yearning of Parigi, O cara, Callas held her audience in a kind of hushed trance. Her tones were rock firm, aglow with a dozen nuances of passion, from hectic gaiety to quiet sadness. Callas scored an even bigger triumph in Cherubini's Medea. Whirling her heavy cape alternately like a regal robe, a witch's hood or a pair of bat wings, Callas managed a breath-taking range of emotion: she seemed to caress the air when pleading tenderly with Jason, then railed at him with fists clenched and her voice...

Author: /time Magazine | Title: Music: Love Affair in Dallas | 11/17/1958 | See Source »

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