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...planting her throne high among spectacular settings of classical arches and columns. It matters that he came of age just as artists were abandoning wood panels in favor of stretched canvas - especially in Venice, a maritime power where ship canvas was everywhere - and turning away from fresco or egg tempera to the relatively new and more pliant medium of oil paint. Drag a loaded brush over the textured surface of a canvas, and a whole range of sensual effects are possible. The feathery plush of a fur collar, the glint of light on armor, the nap of rough cloth - they...

Author: /time Magazine | Title: Renaissance Venice's Big Men on Canvas | 4/10/2009 | See Source »

...true that the discoveries of Picasso and Pollock don't much ruffle the grave surfaces of Wyeth's work. For much of his career he painted not only in watercolors but in tempera, a pigment and egg-white medium that predates oil paint. His only art school was the Chadds Ford home he grew up in. His father was the greatly gifted illustrator N.C. Wyeth, whose thronged imaginings of scenes from Treasure Island and The Last of the Mohicans made him rich and famous. He decided early on that his talented son should also be an illustrator...

Author: /time Magazine | Title: Andrew Wyeth's Problematic Legacy | 1/17/2009 | See Source »

...straight out of the Gourmet Cookbook, and-though she might still chill them-there are vintage French burgundies to add some thunder. A frequent visitor over the years is Brother-in-Law Hurd, a New Mexico painter of Western landscapes, who years ago taught Wyeth how to paint with tempera. Together, though, they are more apt to top each other's tall tales than talk...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

...abandoned room. The amber glass ball on a lightning rod in Northern Point looks to him "as if it were spinning in mid-air." And after four days of straddling the roof top and examining it with his feverish watercolor brush, Wyeth slowly turned to recapture in tempera that first instant of surprise...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

...Others that have temperas: Milwaukee Art Center; Wilmington (Del.) Society of the Fine Arts; Addison Gallery of American Art in Andover, Mass.; Toledo Museum of Art; Philadelphia Museum of Art; Pennsylvania Academy of the Fine Arts in Philadelphia; William A. Farnsworth Library and Art Museum in Rockland, Me.; Shelburne (Vt.) Museum; New Britain (Conn.) Museum of American Art; Wadsworth Atheneum in Hartford, Conn.; and Currier Gallery of Art in Manchester, N.H. * Drybrush, used by Wyeth's mentor of the miniature, Albrecht Dürer, as early as 1450, is more like drawing than watercoloring in technique. The artist works...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

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