Word: charms
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Dates: during 1950-1959
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...world but become the victims of romance. In telling its tale, Saratoga snows cliches, trips over its own gaudy furnishings, and interminably keeps a heroine who was born out of wedlock from entering it. An added trouble: lacking all freshness and zip, the show possesses no compensating charm or style. Everything that Saratoga Trunk scattered with a lavish hand, Saratoga lays on with a heavy...
MEMOIRS OF A DUTIFUL DAUGHTER, by Simone de Beauvoir. France's existentialist termagant. Jean Paul Sartre's first lady of the Left Bank cafés, is at least as candid as she is philosophically stubborn. Her memoirs of girlhood owe most of their charm to the surprising fact that her origins were Catholic, her upbringing puritan. She describes all this with considerable grace, ends with a conversion to Sartre's atheism which seems from her own testimony to be just another straitjacket, but one she can wear with arrogance...
...Saturday to continue her implacable man hunt. In the end, things look brighter. She exchanges a bit of hope for a crumb of knowledge; he gives knowledge for hope. There is even a suggestion that they may meet at the dance hall the following Saturday. The novel has its charm-a disconcerting quality in a New Realist book-but the woman's magazine touch at the end does not befit...
...Vinogradov's performance succeeds better in Paris than the quick-fading charm of his counterpart in Washington, "Smiling Mike" Menshikov, it is partly because Vinogradov is on excellent terms with President Charles de Gaulle. This goes back to 1944, when Vinogradov was ambassador in Ankara. There, one day, a representative of General Charles de Gaulle approached him and asked that Moscow recognize the French government in exile. Vinogradov not only passed on the request but urged Moscow to grant it. When De Gaulle visited Stalin a year later, it was Vinogradov who was specially recalled to make him feel...
Musically, most of the lustre came from the romantic lead, Vivian Thomas as Yum-Yum, and Benjamin Cox's Nanki-Poo. Miss Thomas bounces onto the stage with her disarming freshness and charm and an outstandingly lovely voice. Cox has just the right voice for this part, and knows how to use it, although last night he sounded a little constrained. The two of them made a very attractive pair, if slightly too all-American for their British pronunciation...