Word: chamberlain
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Dates: during 1960-1969
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...more than three centuries, one man had despotic power to decide what plays would or would not appear on the public stage in Britain. As the royal censor, the Lord Chamberlain could summarily order an offending word, line or scene stricken from a script, or he could ban a play altogether by refusing to license it for performance. Although blue-penciling has eased in recent years, English playwrights have persistently demanded total dramatic freedom, and last July Parliament abolished the Chamberlain's licensing authority. Two weeks ago, the U.S. folk-rock musical Hair became the first play publicly staged...
...official censorship was greeted with rejoicing by the London theater; last week there was a mock-serious funeral service for the royal censor in Chelsea. Meanwhile, Hair's actors executed what one critic called "a triumphal dance over the grave of the Lord Chamberlain." High time. With offices in the Palace of St. James's, the Lord Chamberlain is the senior officer of the royal household. Yet he and his four readers have also played the role of arbiters of public taste, passing judgment on some 800 new scripts each year. Their esthetic qualifications have been uncertain...
...play censorship was established during the 16th century in order to stamp out Catholic stage resistance to the Reformation, as well as to protect the people from the bad influence of actors, who were generally held to be godless degenerates. Licensing became an official duty of the Chamberlain in 1737, when Prime Minister Robert Walpole grew so outraged by the political lampoons of Henry Fielding that he forced through a new censorship law. Since then, the Lords Chamberlain have had unchallengeable authority to ban plays by Ibsen (Ghosts), Shaw (Mrs. Warren's Profession), Pirandello (Six Characters in Search...
There may be some unexpected hazards in London's new stage freedom. The Lord Chamberlain's approval once virtually guaranteed a play immunity from lawsuits. But with that protection gone, playwrights face a bewildering maze of common-law provisions against obscenity, sedition, blasphemy and libel, not to mention a recent law against inciting racial hatred. Paradoxically, the end of licensing could lead to new restrictions, imposed by theater owners worried about possible prosecutions...
...addition, the Vice President was "soft on inflation and soft on law and order over the years" ? in fact, "squishy soft." Because of Humphrey's attempt to straddle hawk and dove lines on Viet Nam, said Agnew, the Vice President "begins to look a lot like Neville Chamberlain." He added: "Maybe that makes Mr. Nixon look more like Winston Churchill...