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Word: chaliapin (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...years Hayes has been the only Negro to sell out a hall of Carnegie's size. Hayes is slight, frail-appearing. He sings spirituals artfully, in a high voice that is often reedy. The Negro who sang last week in Manhattan was as tall as Basso Feodor Chaliapin and brawnier. His voice was big and mellow. He sang simply. He was Paul Robeson, athlete-actor-baritone. Last week's was his first U. S. appearance after a three-year absence in Europe...

Author: /time Magazine | Title: Music: Robeson's Return | 11/18/1929 | See Source »

Basso Feodor Chaliapin boomed a Russian folksong at her with an arm around her so that she could feel his "vibrations...

Author: /time Magazine | Title: Books: Mencken's Huneker | 11/18/1929 | See Source »

...familiar names are absent from the list of members for next season: Florence Easton, soprano, has asked for a year's rest; Titta Ruffo, baritone, has gone into the "talkies"; Feodor Chaliapin will not return until season after next; Marion Talley is retiring" to a farm...

Author: /time Magazine | Title: Music: Metropolitan Line-up | 5/13/1929 | See Source »

...season is now under way. It lasts until June 28. Two "Ring" cycles are being given, as well as Meistersinger, Tristan und Isolde, Lohengrin, Rosenkavalier, Don Giovanni, Tosca, Butterfly, Turandot, Girl of the Golden West, Manon Lescaut, Otello, Norma, Gioconda, Boris. Conductors are Bruno Walter, Robert Heger, Vincenzo Bellezza. Chaliapin heads the singers. The Paris music season, at its height from now through June, includes a series of performances at the Champs-Elysees Theatre by the Turin Opera Company, conducted by Tullio Serafin of the Metropolitan. Germany's offerings are endless. In Berlin, beginning May 19, operatic activities include...

Author: /time Magazine | Title: Music: Spring & Summer | 4/29/1929 | See Source »

...unspeakable satisfaction." Condescendingly he added: "If the people are ever persuaded that the original is better than my version, they will put this aside and perform Boris from the original score." The Rimsky version became a model for opera houses of the world and the medium for Basso Chaliapin's incomparable Tsar. Then, last year. Professor Paul Lamm, working under the music section of the Russian State Publishing Department at Moscow, published a version "in accordance with the autographed manuscripts, including hitherto unpublished scenes, episodes, fragments, and variants"-the original Boris. In this form it was produced...

Author: /time Magazine | Title: Music: Original Boris | 4/22/1929 | See Source »

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