Word: carmina
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Dates: during 1950-1959
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...Headaches. At 64, Composer Orff is more confirmed than ever in the direction he took in 1936, when he completed Carmina Bur ana, his first major work, and ordered all his previous manuscripts destroyed. Orff totally rejects the idea of "pure music," never writes for the concert hall. He places such importance on the texts of his "dramatic cantatas" that he will permit none of them to be translated, although he himself seems intrigued by foreign idioms. When working on Oedipus, he decided to write the musical directions in Italian, the stage directions in Latin, e.g., the entrance...
...lull before the Met's opening, was offering one of the most imaginative seasons of its inventive career. For his opening, Director Julius Rudel presented an improbable but highly successful pairing of Igor Stravinsky's austerely stylized Oedipus Rex and Carl Orff's lightly lyrical Carmina Burana, both conducted by Leopold Stokowski. The audience took to the double feature so enthusiastically that an additional performance was scheduled for last week. The season's second big hit: a superb production of Mozart's crystalline comic masterwork, Cosi Fan Tutte. Vienna-born Director Rudel, 38, is also...
...City Center. With citywide billboard displays, he challenges Philadelphia's entrenched Grand Opera Co. So far. the Lyric has been no more daring in repertory, will present ten works next season, three of which will be contemporary: Stravinsky's Oedipus Rex, Carl Orff's Carmina Burana (both to be conducted by Leopold Stokowski), and Carlisle Floyd's Susannah...
...Tebaldi, Del Monaco, Christoff, Siminonato, Valletti, Gobbi, Schwarzkopf and Rysanek for their U.S. debuts, can boast a list of U.S. premieres that puts the Met to shame. Last week San Francisco gave the first U.S. stage performances of two short works by German Composer Carl Orff-Die Kluge and Carmina Burana. Other noted San Francisco firsts: Walton's Troilus and Cressida, Poulenc's Carmelites, Honegger's Joan of Arc at the Stake. Retorted Bing: "My congratulations and greatest respect to Mr. Adler for his daring to introduce these operas to empty houses...
Completed in 1936, Carmina Bur ana is Carl Orff's first major work (he destroyed all his previous manuscripts), the piece he calls his "snowplow" because it clears a path with listeners for acceptance of his others, e.g., musical plays based on Grimm fairy tales, poems by Catullus, Greek tragedy. He called it a "dramatic cantata," and meant it to be performed as a theater piece. At 59, still living near his native Munich, Orff no longer writes for the concert hall. Says he: "Melody and speech belong together. I reject the idea of a pure music...