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Word: burrows (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...shrill whirring sounds. It is all music to the females, who slit open tree bark after they have been impregnated and store their fertilized eggs there. A few weeks later, both parents die. But cicada life goes on as the eggs hatch. The newborn nymphs drop to the ground, burrow, and the age-old cycle starts anew...

Author: /time Magazine | Title: Science: Wedding Whirs | 5/28/1979 | See Source »

Palmer constructed an artificial burrow with viewing glasses on either side like a child's ant farm. Then he introduced several female beetles, plus a single horned male. For hours he watched as the little bugs burrowed, scrounged for food and copulated. But the male never used his horns...

Author: /time Magazine | Title: Science: Beetle Battles | 10/30/1978 | See Source »

Each of these skirmishes lasted nearly three minutes, and the entire battle often continued for more than an hour. Finally, as one minotaur gained the upper hand, his vanquished foe either left the burrow of his own accord or was actually pushed out by the winner (who invariably turned out to be the larger beetle). Thus, Palmer reports in Nature, the minotaur's horns, and perhaps similar horns in other beetles, seem to have been evolved for only one purpose: combat...

Author: /time Magazine | Title: Science: Beetle Battles | 10/30/1978 | See Source »

...diplomat to the Soviet embassy in Washington. In an extraordinarily straightforward way, he phoned the home of CIA Director Richard Helms and talked to his then-wife Julia. Igor offered to become a double agent, or, in Le Carré's famous term, a "mole," who would burrow deeply into the Soviet espionage network and pass on secrets to the U.S. Julia turned Igor over to her husband, who in turn passed him on to U.S. counterintelligence operatives...

Author: /time Magazine | Title: Nation: Double Trouble | 5/22/1978 | See Source »

...back. To the beat of a muffled-sounding gong, they bring their hands to a spot on their heads, then pull them away, wavering their arms to either side of their bodies. It's the most powerful sort of choreographic imagining. It makes the viewer close eyes and burrow into their seats afterwards, not wanting to let it go, keeping the deathbeat sounding in their minds...

Author: By Susan A. Manning, | Title: The Logic of Movement | 2/14/1978 | See Source »

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