Word: brutality
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Dates: during 1940-1949
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...president of the tribunal, hung the Red star emblem with hammer & sickle, and under the flag was the portrait of the all-powerful leader. But the face of the leader seemed to have changed: it was not the slyly benign mask of Joseph Stalin; it was the square, rather brutal face of Josip Broz Tito...
Crisis of Confidence. From the hard, gritty North Sea ports to the lush Bavarian mountains, from Germany's iron heart in the Ruhr to the placid university towns which cherish their professors and their poets, the land ruled by Konrad Adenauer still bears the brutal stamp of total defeat. It also bears the pale, pinched look of poverty. The free-enterprise economic policies, put to work under military government, have led West Germany's 46 million hard-working people from near-starvation a long way toward recovery. But the country's economy is still far from healthy...
...meeting of his union policy committee, John Lewis raised the white flag. Without warning, he ordered his coal diggers back to work immediately on the same terms that he had haughtily rejected. But he served notice that the strike would be on again Dec. i unless the "arrogant and brutal" mine owners came to terms. At a news conference, where he tried to look ferocious but looked instead like a tired and harried hoot owl, John L. tried to explain that it was not a retreat but simply a gesture of good will...
Before a touchdown was scored this season, the experts spotted Notre Dame and Oklahoma as football teams most likely to succeed. With steady and sometimes brutal authority, the two giants of the midlands stood the test. As the season progressed, two less obvious candidates-Army in the East and California in the Far West-rose to join them as the big four of college football. Last week, with season's end in sight, the big four marshaled their manpower against a common enemy: overconfidence...
Suggesting those legendary tales involving both an agonizing decision and the guts to see it through, Montserrat is a kind of moral duel between cynicism at its most brutal and idealism at its most impassioned. Both themes suit the stage, neither quite fills it, and Montserrat has been fattened up by giving the six pawns in the game their grim, gaudy exit scenes as people. As melodrama, Montserrat, though sometimes talky, is oftener tense. As writing, it has much of Adapter Hellman's sharpness and bite: in particular, her villain (well-played by Emlyn Williams) brings a fine sardonic...