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...garde dance world. She shocked traditionalists with Deuce Coupe, her 1973 dance piece that wedded classical-ballet moves to Beach Boys songs. She worked with Mikhail Baryshnikov and David Byrne (and had romantic flings with both), shuttled between the American Ballet Theatre and Hollywood and then, in 2002, rocked Broadway with Movin' Out, her dance musical set to Billy Joel's greatest hits. Ballet choreographers like Jerome Robbins had done musicals before, but Tharp broke new ground, building a hit show almost entirely out of dance--and redefining what a Broadway musical could be.(See eight great Broadway shows...

Author: /time Magazine | Title: Sinatra on Stage: Come Fly With Twyla Tharp | 3/29/2010 | See Source »

...about to open a new Broadway show, Come Fly Away, set to the songs of Frank Sinatra. Ol' Blue Eyes has been an obsession of hers for years--this is the fourth dance piece she's created for his music--and she's ready for the critics to complain that she's repeating herself. Yet this high-low priestess explains her new approach--the show is set in a nightclub and follows the relationships of four couples--by citing writers like Tolstoy and Balzac (she's been devouring both lately) as well as the Ernest Borgnine movie Marty (which provides...

Author: /time Magazine | Title: Sinatra on Stage: Come Fly With Twyla Tharp | 3/29/2010 | See Source »

...high-art sensation it was in the '70s, when Robbins and George Balanchine were working, companies such as the Joffrey Ballet and Alvin Ailey were drawing hip new audiences, and stars like Baryshnikov were celeb-magazine fodder. Instead, it has glided into the mass-audience mainstream. Broadway shows like Billy Elliot and Fela! (the Afrobeat musical choreographed by Bill T. Jones) put dance front and center. The ballet-like triple axels of Olympic figure skaters drew huge ratings at the Winter Games. And TV hits like Dancing with the Stars and So You Think You Can Dance have given ballroom...

Author: /time Magazine | Title: Sinatra on Stage: Come Fly With Twyla Tharp | 3/29/2010 | See Source »

...Just like the fraud, though, bringing Enron, which has been running in London for months, to Broadway is costing big bucks. In general, operating on Broadway has grown more expensive than it used to be. Producers say most plays cost between $2 million and $3 million to launch on New York's main stages these days. Musicals like Wicked can cost as much as $15 million, but they tend to draw bigger audiences than dramatic plays. The higher production costs are driving up ticket prices on Broadway and pushing out the time it takes productions to be profitable. Many plays...

Author: /time Magazine | Title: Will Enron Play on Broadway? | 3/25/2010 | See Source »

...much larger cast than the typical play. It has numerous sets, a handful of musical numbers and three lurking, red-eyed velociraptors to represent Enron's hidden debt, among other props. The play has gotten rave reviews in London, and the director Rupert Goold, who is staying with the Broadway production, won London's Evening Standard award for best director. But the producers decided to replace the cast when they brought the play to New York. All that has driven up the budget for the play, which will probably cost about $300,000 a week...

Author: /time Magazine | Title: Will Enron Play on Broadway? | 3/25/2010 | See Source »

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