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...energy are just better. I feel like a lot of girls start off with tap when they’re little and then move on to modern or ballet. I hope we can get more people to realize that tap isn’t just frilly, girly, and Broadway-style,” she said. “There are so many different kinds of tap—hip-hop, a cappella. It’s a very diverse mix and you can really find your niche anywhere...

Author: By Sofia V. McDonald, CONTRIBUTING WRITER | Title: TAPS | 4/23/2010 | See Source »

What: TAPS is one of Harvard's newest student-run dance companies. The group features all student-choreographed pieces in a variety of styles, including Rhythm tap, Broadway, and Irish. TAPS' performances are varied in order to spread appreciation for tap dancing to a wide audience. Tickets are $10 or $5 for students, Harvard affiliates, and seniors...

Author: By Barbara B. Depena, CRIMSON STAFF WRITER | Title: The Weekend Roundup | 4/16/2010 | See Source »

Last Tuesday, Lin-Manuel Miranda—writer, composer, and former star of the Tony Award-winning Broadway musical “In the Heights”—came to speak at Harvard about his writing experiences and career. After his lecture at Professor Carol J. Oja’s course Literature and Arts B-85: “American Musicals and American Culture,” he sat down and talked with The Crimson about everything from the “Heights” and new musicals he’s currently working on to his creative...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

...write what you know, so I took everything that I knew and threw it into the pot and called it “In the Heights,” and then over the course of the eight-year process getting “Heights” to Broadway, I learned how to write. It’s a lot of discarded songs and ideas, and a lot of making good songs better and throwing out bad songs. But I had the luxury of excellent collaborators and producers who believed in our show for what it was and not what...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

...wanted to write the kind of musical I’ve always wanted to see—and hip-hop is sorely lacking. I mean, if you’ve seen hip-hop in musicals before “Heights”—at least Broadway ones—if hip-hop is used, it’s ironically commenting, “Hey we’re rapping and we’re lame!” I wanted to just treat it as another kind of storytelling...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

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