Word: bricks
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Dates: during 1990-1999
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11th century San Marco, Venice. The Doge's chapel was modeled on a now destroyed church in the rival--and more splendid--metropolis Constantinople. But as it prospered, Venice both updated and preserved San Marco's splendor: five shallow Byzantine brick domes were covered over by metal ones. The 320-ft. campanile, foreground, raised in 912, collapsed in 1902. It was rebuilt in 1912--on its 1,000th birthday...
...homeless, who, they say, are increasingly aggressive, violent and bad for business, at least 24 cities now conduct nightly "police sweeps" of their streets. In New York City, Mayor Rudy Giuliani vowed to clamp down after a homeless man seriously injured a woman by slamming her head with a brick. Giuliani ordered that all "able-bodied" homeless people must go to work or risk losing their city-provided shelter and possibly their children to foster care. The decree raised an outcry from civil libertarians and clergy as well as his likely rival for a Senate seat, Hillary Clinton...
...recently moved next door and five floors up from its original site. Currently showing is "Formula," an exhibition of New York-based artists rounded up by one of Oni's original founders, Cheyney Thompson, who migrated there recently. Thompson's "1839," a series of acrylic paintings of woodbeam-and-brick cross-sections on transparent organza, exposes infrastructural delicacy. Also with Nathan Carter, Daniel Lefcourt, Tim Seiber and Bettina Sellman, whose installation, "the absence of dreaming," encases mute forms in satin...
...While that's good news for Cuomo, and may even lead to some help for the homeless nationwide, the story is another example of how a small urban event - in this case, the alleged assault with a brick by intermittently homeless man Paris Drake that sent a young woman to the hospital - can become of national interest when seen through the Giuliani-Hillary prism. Homelessness becomes hot, a chance for the two candidates to flaunt their party stripes. On one side the Republican mayor vows to protect society from the "violent crazies" (as a Daily News headline called them) walking...
Rockwell could. He knew how a few brushstrokes can mimic wet hair, effulgent sunlight, gunmetal, crinoline, catsup, cardboard, painted brick and polished linoleum. And he got those effects without losing sight of the muddy pleasure of pigment itself, a fundamental notion of modern painting. In a few inches of sailcloth or the slip worn by his Girl at Mirror, he could put white paint through as many adventures as Robert Ryman does in his snow-flurry abstractions. As for his pieties, they turn out sometimes to be the same ones fundamental to civil society. By nothing less than an actual...