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Word: beethoven (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Beethoven: Symphony No. 2 (the San Francisco Symphony, Pierre Monteux conducting; Victor, 8 sides, 45 r.p.m.). This happy early work is the least heard of the nine symphonies; the nicely adjusted performance of the San Francisco, under happy Pierre Monteux, will make listeners wonder why. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Dec. 26, 1949 | 12/26/1949 | See Source »

...Beethoven: Sonata No. 2: (Claudio Arrau, pianist; Columbia, 2 sides, LP). One of Beethoven's better middle-period sonatas (the "Waldstein"), played with great energy, eloquence and understanding. Recording: good...

Author: /time Magazine | Title: Music: New Records, Dec. 26, 1949 | 12/26/1949 | See Source »

...Flat Stomach. When Bostonians heard Munch conduct their orchestra on his 1946 visit, his music had shocked some. It seemed more violent and more rushed, particularly in the allegro movements of Beethoven symphonies. But one man was not at all surprised when Munch was asked to succeed Koussy. The New York Herald Tribune's Virgil Thomson had heard Munch conduct 15 years before in Paris and had prophesied that he would eventually lead the Boston. Why? Says Critic Thomson: "He was a natural Boston conductor, flat-stomached and grey-haired, and he created hysteria, particularly in the female over...

Author: /time Magazine | Title: Music: There Will Be Joy | 12/19/1949 | See Source »

...Francisco's gold and red plush opera house, onetime Child Prodigy Yehudi Menuhin, 33, observed the 25th anniversary of his debut as a violinist with a program of sonatas by Tartini, Bach and Beethoven. Of the concert he said: "I just go on pounding away; you could say I've passed the millionth note...

Author: /time Magazine | Title: People: Entrances & Exits | 12/12/1949 | See Source »

Strauss was by no means happy with the way conductors handled Beethoven and his favorite, Mozart. "Some so-called wizards of the baton," he wrote, "play Beethoven and Mozart finales as though they were riding a shying horse and had lost the reins." Strauss also felt that he himself had been badly dealt with by publishers, stage directors and actors. His father, first horn at the Munich court opera, had to contribute 1,000 marks ($238) to the printing cost of the F-Minor Symphony. "My fee for Don Juan," Strauss recorded, "was 800 marks ... for Eulenspiegel...

Author: /time Magazine | Title: Music: May Bugs & Spice | 12/12/1949 | See Source »

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