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Word: baryshnikov (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...executive vice president. "My two dogs come to work with me." There will also be some indulgences at the film center. One will be the TriBeCa Bar and Grill, a restaurant that De Niro is opening with financial investments from such pals as Sean Penn, Bill Murray and Mikhail Baryshnikov. De Niro's new Hollywood-on-the-Hudson may be an upstart, but it will not suffer for lack of connections...

Author: /time Magazine | Title: If He Can Make It Here . . . | 9/4/1989 | See Source »

...Kirov, the revered Soviet classical company that nurtured George Balanchine, Rudolf Nureyev, Mikhail Baryshnikov and Natalia Makarova, came stocked with an impressive repertory. It has been 25 years since it played New York City, and in that time Manhattan has become entrenched as the dance capital of the world. Local fans are well informed and tough. Balanchine, who died in 1983, is still very much the presiding genius, and the purity and speed of his choreography set the pace. In addition to the perennial Giselle and some short pieces, Kirov artistic director Oleg Vinogradov brought his new production...

Author: /time Magazine | Title: Dance: From Leningrad with Love | 7/17/1989 | See Source »

...good are the Kirov dancers? There is little question that Americans are technically superior -- faster, stronger, more rigorously trained. Some credit must go to Russian immigrants. Balanchine revolutionized ballet by demanding that a performer move swiftly through positions rather than prepare for them and then hold the pose. Baryshnikov, as artistic director of the American Ballet Theater, adapted Balanchine's methods to the old story ballets...

Author: /time Magazine | Title: Dance: From Leningrad with Love | 7/17/1989 | See Source »

...arrival of Leningrad's classical troupe, cradle of Balanchine and Baryshnikov, poses a question: Why is Soviet style so different from American...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 134 No. 3 JULY 17, 1989 | 7/17/1989 | See Source »

...right to say the performances are bad. Presumably at Berkoff's behest, they are as exaggerated as in a Victorian melodrama, the emotional colors underlined by music as tinkly or percussive as in Beijing opera. In a further attempt to weight the scales in favor of the sensitive outcast, Baryshnikov's speeches are candidly written and delivered with touching directness. Most remarkable, however, are his agility and grace in evoking the lumbering, graceless creature. Skittering across the floor, or toppled over backward and trying to right himself, or dangling from the spider web of piping that represents a ceiling, Baryshnikov...

Author: /time Magazine | Title: Theater: A Nightmare Without Force | 3/20/1989 | See Source »

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