Word: audiencesã
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...Ortiz’s opinion, students walk around all day with little regard for the staff members who make Harvard tick. To counteract audiences?? ignorance, Ortiz aimed to tie “Working” directly to Harvard itself. He approached Bill Jaeger, director of the Harvard Union of Clerical and Technical Workers (HUCTW), and formed a partnership. The actors in “Working” now wear HUCTW uniforms, and HUCTW workers attended their final dress rehearsal...
...movement. “They’re given the permission to stare,” Alliger says of the audience. And to complete the rapport, the performers stare right back; at one point they break from dancing in order to address the audience directly with quotations from previous audiences?? reactions, including “We’ve been watching you. We think you’re beautiful.” Thus GIMP blurs the line between the watched and the watchers, and the audience manages to experience new perceptions of new physicalities.For one dancer...
...What Just Happened?” the individual scenes creep along, especially during the first third of the movie as Levinson tries to establish Ben’s world. Between the sluggish pace and De Niro’s uninspired acting, there’s nothing to keep audiences?? eyes open other than Levinson’s use of fast cuts to transition between scenes. These cuts create an offputting pace that first lulls the audience into drowsiness and then jolts them awake. Linson, who wrote the screenplay, and Levinson try to incorporate multiple plots into Ben?...
...fear, you’ll be paralyzed.” Even when it comes to his own views about other films, Washington once again refuses to let the negative cloud his judgment. “Fred Claus,” another holiday movie that will be competing for audiences?? attention this season, very clearly lacks the emotional depth of “Debaters.” Nevertheless, Washington barely pauses before he jokes, “Don’t knock ‘Fred Claus!’ ‘Fred Claus’ is cool...
...conquered country.” One can forgive certain inklings of ressentiment.“The Mikado” is certainly not alone in terms of context-specific variance. Giacomo Puccini’s “Madama Butterfly” met with diverse reactions between Eastern and Western audiences??while wildly successful at the Metropolitan Opera House in 1907, it met with some confusion by Japanese audiences, who sometimes did not know what to make of Western tonalities. Rodger and Hammerstein’s “The King and I” elicited shock from most...