Word: artists
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Dates: during 2000-2009
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...Bronson is a sociopath and a lunatic, a senseless rage-addict and a goon. But apply the words that open the film to the persona Refn manifests in Peterson and, more subtly, Refn himself, and “Bronson” offers a much more sensible portrait of the artist than it ever does of its subject. But ambitions at auto-portraiture aside, “Bronson” is, at its heart, a deeply engaging character study that suggests this man may be more (or less) than, but never equal to, the sum of his parts...
Francisco proved so apt at imitating LaFontaine that the vocal artist once invited Francisco to his home after seeing him perform on “The Tonight Show.” “He was really cool about it,” Francisco says, “and he looked at me and said, ‘You do me better than I do me.’” In fact, since LaFontaine passed away in 2008, Francisco has taken over some of his commercial duties...
...long-term effort to revitalize Paris' 19th arrondissement. Launched just over a year ago, with high-profile events by fashion giant Alexander McQueen, trip-hop icon Tricky and art-rock legend Lou Reed, the immense 39,000-sq-m space was renovated by architectural firm Atelier Novembre. It boasts artist studios, designer boutiques, a café, a bookshop, a children's area and even a free-standing pizza truck under its soaring glass roof, which echoes the spectacular glass-domed Grand Palais rather more closely than the set of Six Feet Under. (See 50 essential travel tips...
...central for the world's creative types. Davide Grazioli, used to warmer climes, pulls his black woolly hat over his head and strides up Kastanien Allee - now dubbed Casting Alley because of all the wannabe film directors and actors who frequent its cafés. Grazioli is an Italian artist whose work includes unraveled embroideries from India and skulls made of organic incense. Three years ago, he moved to Berlin from Milan with his wife and young daughter, and though his German is rudimentary, he's reveling in the city. This year, he's branched out into "sustainable fashion," creating...
Napier is sexy but painfully conflicted internally; the basic vulnerability she established at the very beginning lingers throughout the show. As the voiceless artist, writhing in blood, chocolate, and saliva during scene 11 (“Untitled (100 Words)”), her body contorts, suggesting an inner beast yearning to escape. As Anne, moments of anger cause her eyes to glaze over and her mouth to froth. Such strong displays of emotion capitalize on the fuzzy space between internal and external theatrical reality...