Word: artists
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Dates: during 1930-1939
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Irwin Hoffman's brothers are mining engineers. Irwin Hoffman himself is a solid, soft-voiced artist who goes down a mine shaft almost as often as they do. Once there, he sits cramped in a lantern-lighted hole full of the din of drilling, sketches everything he sees. Mining engineers admire his sombre, accurate pictures, in 1936 invited him to join the American Institute of Mining and Metallurgical Engineers. Last week laymen too had their chance to admire, for Artist Hoffman's first show since 1935 opened in Manhattan at the Associated American Artists' Galleries. One admirer...
...When Artist Hoffman dislikes one of his pictures, he paints another over it. Failures lurk behind most of his canvases. Thus hidden is the painting that first brought him fame-Rubbish, which showed a derelict sitting next to an ashcan. "When I do a bad thing," he says, "I want to be the first one to know about it and the first one to destroy it. I can paint, I know I can paint...
Sure to hit popular taste amidships was World-Famous Paintings, based on questionnaires to 31,000 Wise customers asking for their favorite paintings. For $2.95 the reader got the 100 most popular choices in color, a running-fire commentary by Artist Rockwell Kent. Unprecedentedly huge was the first edition of 300,000 copies. With 220,000 of them sold already, Wise & Co. planned another printing of 250,000 in January...
...Cezanne that "there is no illusion of life in his work, but a plastic equivalent for it which has a life of its won." Now this statement, though not applicable to all of Cezanne's work, is a simple, yet comprehensive summary of a very important aspect of the artist's style. And if we spend a few moments studying the three Cezanne paintings which are now being shown in Fogg Museum, we can begin to see the truth embodied in Mr. Phillips statement. Cezanne manages to create something besides the object which he is representing; and that "something" which...
...remaining paintings by Cezanne which can be found in the museum are landscapes containing that rather full-bodied cubistic tendency which is typical of the artist. Rolling hills, solid mountain, and a general structure based upon gradually receding planes, comprise the basic elements of the pieces. It is difficult to say, as many do, that Cezanne is a painter who appeals primarily to the intellect. Despite the fact that his style is one the foundation of which rests in a mental concept of his subject, his feeling for shape and his comprehensive power of suggesting texture and quality, serve...