Word: artists
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Dates: during 1980-1989
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Giulio Romano was so well known in his time that he is the only painter mentioned in any of Shakespeare's plays. Famous, and rather vulgar. If Raphael was the epitome of grace among artists of the High Renaissance and Michelangelo the paragon of sublimity, then Giulio was all licentious facility. So ran the judgment of our Victorian forebears, who could not quite forgive Raphael's best pupil for his indelicacy. An air of brilliant second- rateness still clings to his name. Those who can thrust their way through the crowds in Palazzo Te in Mantua and manage a long...
...Although Giulio Pippi de'Giannuzzi was born in Rome, took the city's name, worked in Raphael's studio and, as a very young man, must have known both Michelangelo and Leonardo da Vinci, it was in Mantua that he found his voice as an artist. As architect and painter to Federico II Gonzaga, he became Mantua's virtual artistic dictator in his 20s and remained so until he died at the early age of 47. There, projects poured from him in an undiverted stream: not only frescoes and panel paintings and the innumerable sketches that preceded them, but also...
...generous, greedy, obsessed with his own virtu (which meant prowess, not virtue) and determined to go down in history for his martial skills, his classical learning and his devotion to all vertical and horizontal forms of the chase. In Giulio, this son of Isabella d'Este found a court artist whose libidinousness and intelligence fit his own. Both men moved naturally in the imaginative world of a recovered antiquity -- the world of Apuleius and Ovid's Metamorphoses, the brutal sharp humor of Martial's epigrams, the fantasies of a Golden Age and the pseudo-scientific world view of astrology...
...really can't function as a celebrity," she says, sitting at her drafting table, where she likes to sketch and talk at the same time. "Entertainers are celebrities. I'm an architect, I'm an artist, I make things. I just love the fact that I can make a work and put it out there and walk away from it and then look at it like everyone else...
...five pages of BIZ, heavily dappled with photos, were devoted to a single topic: the daily routine at a Trappist monastery, the drama of a parachute jump. BIZ, London's Picture Post (edited by Stefan Lorant) and the elegant French magazine Vu drew upon a breed of independent artist-photographer, often with one foot in Bohemia, to capture the arresting aspect of the everyday. Among the foremost practitioners were the German emigre Tim Gidal and Hungarian-born Andre Kertesz, whose enigmatic views of the Eiffel Tower and Paris streets imbued any human presence with an ephemeral tension...