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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1880-1889
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...subject is from the sixth book of the Iliad and represents the parting of Hector from Andromache and his son Astyanax. The windows are five feet wide and fifteen feet high, and are of colored glass, no paint being used except in the flesh tones. The artist has been restricted in his use of the darker shades by the necessity of admitting as much light as possible into the Hall. One window is filled by the armed figure of Hector, while the other is given up to Andromache and her son. The work has been done wholly under Mr. Crowninshield...

Author: NO WRITER ATTRIBUTED | Title: The Memorial Windows for Harvard. | 5/8/1888 | See Source »

...title of an admirable bit of descriptive writing. The Swiss landscape in all its peacefulness and silent grandeur seems lying stretched out before the reader, while the account of the little guide has in it a vein of pathos which adds greatly to the sketch. The fate of an artist who fell in love with a ghostly maiden is told in "A New England Legend." It is very concisely written and does not lack interest. "Topics of the Day" is a new departure in the Advocate. It is not to appear in every number; but it is to be devoted...

Author: NO WRITER ATTRIBUTED | Title: The New Advocate. | 3/26/1888 | See Source »

Edgar Parker's portrait of the late Price Greenleaf which is soon to be placed in Memorial Hall, is now on exhibition in Noyes, Cobb and Co.'s Boston gallery. The artist represents his subject as sitting, and the likeness is said to be very good...

Author: NO WRITER ATTRIBUTED | Title: Fact and Rumor. | 3/2/1888 | See Source »

...fully aware of the limitations of his art, and never tried to represent such difficult themes as the shield of Achilles. His skill was, however, shown in the way in which he overcame the inherent clumsiness of the sea monster which usually accompanied Thetis. In the later vases the artist tried to give the effect of a foreground and background by the use of foreshortening; but, owing to the fact that he was confined to a single color, the attempt was not successful. The capture of Troy, as described by the non-Homeric epics, was a favorite subject...

Author: NO WRITER ATTRIBUTED | Title: Lecture on Greek Vase-Painting. | 2/25/1888 | See Source »

...been preserved by being enclosed in tombs, and were not, as some have thought, especially designed for funeral purposes, but were articles in daily use. Their graceful shapes, combined with their lightness and durability, would excite our wonder even without the pictures with which they are decorated. The Greek artist was above all a craftsman, and delighted in showing his skill on household vessels. By means of the 20,000 or more specimens which we possess, we can trace the progress of art from the stiff archaic types up to the highest perfection. There are two color schemes: the earlier...

Author: NO WRITER ATTRIBUTED | Title: Lecture on Greek Vase-Painting. | 2/24/1888 | See Source »

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