Word: actor
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Dates: during 1960-1969
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Suave, controlled and bearing a striking resemblance to the late actor Herbert Marshall, the Cambridge-educated Thompson, 53, was knighted for devising the strategy that ultimately defeated local Chinese Communist terrorists in Malaya in the 1950s. He was then Britain's secretary for defense of the Federation of Malaya; later (1961-65), he served as head of the British advisory mission in Viet Nam. Now retired from government, he is an occasional consultant for the Rand Corp., the noted U.S. think tank. His experience in Malaya convinced Thompson that counterinsurgency does not require massive forces, large-scale bombing...
...young Ben, Beau Bridges (son of Actor Lloyd Bridges) plays the hero with the numbstruck charm of a tarnished cherub. Ben believes totally in America's favorite myth: the up-from-nothing success story. So believing, he becomes living proof of that other American truism: there's a sucker born every minute. Ben runs away to Chicago, sin city, carnival to a million peculators in wheat, meat and railways. Pickpockets, exposure and starvation nearly do him in until the boy comes under the wing of a municipal madam named Queen Lil (Melina Mercouri). Lil's most valued...
What is insufferably painful for this Hedda is that she is totally aware of her predicament. She has aimed at the stars and settled for a cinder. Tesman, with his dusty burrowing in book after book, is not a spouse but a sedative. It is to Actor Peter Hansen's credit that he humanizes a library mole so that the audience can accord him the pity that Hedda withholds...
...always interesting to see how the ghost scenes in Shakespeare are played. De Grazia has Fletcher Word, a black actor, play the Ghost from atop a platform. Word dressed entirely in black, moves with a mime's precision through Oriental poses, enshrouded always in a huge cape. The effect is very striking...
...lover. Since Word plays both the murdered king in The Murder of Gonzago and the dead king's ghost in the play itself, one wonders if the murder is actually happening again. Because given the dramatic context, either both are real or neither is. In having the same actor play both the key "magic" roles, de Grazia adds an unusual mystical quality to good old Hamlet...