Word: abstractionists
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Dates: during 1940-1949
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...Abstractionist Oscar Dominguez has both. His big, somber Composition owed an obvious debt to his good friend and fellow Spaniard Picasso, but its loony, mountainous melee of animals and things was Dominguez' own, a jumble of the sort one sees at the moment of going to sleep or awakening, transformed and made monumental by the order and clarity of the painter's arrangement. A huge, expansive man whose rolling eyes and fierce mustache make him look like the villain in a melodrama, Dominguez may well become a new hero in French...
...Turnips. The critics were kind, found some subtleties to admire in his abstractionist experiments. Said the New Statesman & Nation: "This Universe of ghosts with turnip heads and scrolls of tin for bodies is by no means unreal . . ." But what interested gallerygoers most were Lewis' portraits of some of his literary friends, e.g., Poets T. S. Eliot, Ezra Pound and Stephen Spender. Using the diluted cubism that gives all his work a curiously geometrical air, Lewis had hit off an easily recognizable likeness every time...
...floor, there are exhibits from the Museum's collection of German medieval and renaissance painting and sculpture. In the last two years, the Museum has developed a flair for the modern, supplementing its Gothic saints and saviours with shocking heresies like the recent exhibit from the Bauhans, which includes abstractionist chess sets and stained glass made of beer bottle bottoms. Visitors are a little surprised by the new trend, but on the whole they seem to like it. The only ones who are disappointed are the two or three a day who wander in and ask to see the glass...
...jury was composed of Corcoran Director Hermann Warner Williams Jr. and three painters: abstractionist Abraham Rattner, landscape and genre painter Paul Sample, and Pepsi-Cola Prizewinner Mitchell Jamieson (TIME, Oct. 4). Together they had spent a day in Manhattan and another in Washington, rejected close to 1,000 pictures (including some by top-notch artists) at each stop. What, Miss Genauer wanted to know, had been their basis of judgment...
...tweezers always in his pocket? ... De gustibus non est disputandum" - Laurence Sterne, in Tristram Shandy As far as many U.S. citizens are concerned, biting asses' tails, as a leisure occupation, is not much more inexplicable than a lively taste for modern art, especially if it is abstractionist art. What's more - as Washington's Corcoran Gallery of Art has good reason to know - the public gets disputing mad about it. The gallery's biennial shows of current U.S. painting invariably cause a loud outcry of outrage...