Word: year
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Dates: during 1930-1939
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...Continental, Editor Kelly gave exclusive contracts for five years with four canneries, which use some $1,000,000 worth of cans a year. That means about $750,000 of new business annually for the canmaker, for three of the canneries were new customers. In return, Continental Can agreed to put up a $500,000 can factory. The canners figure on saving $100,000 a year on freight charges by having a factory in Walla Walla. The town figures the new plant will provide a yearly payroll...
...than that for financial centres. In the chart they are shown separately.) In early 1939 the trend of turnover in trade centres followed a course roughly parallel to that of industrial production as measured by the Federal Reserve Board. Trade centre turnover fell 9% from the first of the year to the end of April and then began gradually to rise. The Federal Reserve Board index fell 11.5% from its 104 high in December to 92 in May. This was the sagging period of the spring when business had failed to measure up to expectations...
Trade centre turnover and the Federal Reserve Board production index again moved roughly parallel during the next period in which business began to take hope of autumn improvement. But in August the two parted company for the rest of the year, for in that month the production index practically ceased rising; then the sudden impact of war sent it zooming skyward to a November peak (preliminary estimate: 125, well above its recovery high, just equaling its all-time 1929 peak...
...trie cannery in midsummer went Farmer Barney Foster with a load of green peas, hand-picked and hulled. That year, 1932, the cannery shipped 60 sample cases of canned peas to U. S. grocers. This year seven regional canneries (two in Walla Walla) turned out 2,650,000 cases of canned green peas (one-sixth of U. S. canned pea production) worth some...
Baldheaded, 51-year-old Baritone Friedrich Schorr of Manhattan's Metropolitan Opera is a specialist in dignified Wagnerian Wotans. He almost never smiles. Last week, black-robed and bearded as Wagner's Flying Dutchman, he scowled his way through the second act, knelt with dignity upon the Metropolitan's splintery stage and prayed for his redemption. The prayer over, Baritone Schorr got up and, with a regal gesture, threw his black mantle about his shoulders. The gesture enveloped him in a cloud of dust from the Metropolitan's unswept stage. The audience guffawed. When...