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HRDC President Nicholas J. Wyse '84, who has been sitting in on the Faculty review committee's meetings, cited the establishment of a Faculty-appointed liaison as the most important change that should happen...

Author: By Mary F. Cliff, | Title: Broad Review of ART Nears an End | 3/2/1983 | See Source »

...Nick Wyse as Romeo supports her admirably, as does Benjamin Evett as a surprisingly young and hip friar Lawrence, who appears to function essentially as Romeo's freshman proctor. (In one of the show's nicest and most economical touches. Romeo, visiting Lawrence's cell grabs a Coke from the fridge before settling down on the bed to confess.) Rauch occasionally requires this thoroughly alert crew to do something odd--kill one another with picnic cutlery, for instance, or mutely clutch miscellaneous blankets and bedding around their shoulders in mourning for Juliet's initial "death." But the cast tends...

Author: By Amy E. Schwartz, | Title: Another World | 11/17/1982 | See Source »

...OTHER CHARACTERS have this opportunity. Not only is there little differentiation among Berowne's three cohorts (played by Nick Wyse, Alex Pearson and Ian White) or among their four lady loves (Robin Driscoll. Alison Carey, Miriam Schmir and Nina Bernstein); to make matters worse, random comic pairs appear at intervals, exchange verbal abuse and eventually band together to present the nobility a pageant of "The Nine Worthies...

Author: By Amy E. Schwartz, | Title: Labor of Love | 8/3/1982 | See Source »

...when Randolph gives his theory of the cases--an increasingly bizarre trip through the reaches of what pilots call the envelope--a theory of music, of being, a crypto-musical little speech which marks the real opening of Shepard's floodgates. When Petrone, a neighboring saxophonist (played by Nick Wyse looking for all the world like DeNiro in New York, New York) and Laureen, a neighboring bass player (Grace Shohet), arrive, an inner circle rears its head, signalling the end of the commonplace relationship which have gone thus far. And even then Niles himself (Brian McCue) arrives with his compatriot...

Author: By Thomas Hines, | Title: 'Jump, Jump' | 7/21/1981 | See Source »

...whorehouse. With admirable restraint. Affelder gives Meg a touching quality of tarnished dignity. While her early verbal jousts with McCue lack the necessary sarcastic edge, her climatic argument with him in the third act beautifully reveats Meg's reluctant tenderness. As Lestile, the young British hostage. Nick wyse finds the right balance of cynicism and naivete. Like the tenants of the lodging he loves his country, but he doesn't fully comprehend the war-especially when confronted with the possibility of his own execution. Wyse captures Leslie's confusion and terror without forcing the pathos of his plight Holley Stewart...

Author: By Jacob V. Lamar, | Title: The Celtic Twilight | 4/29/1981 | See Source »

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