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...been proud hedonists, so their decade of musical coasting has seemed less a squandering of talent than an example of character as fate. But with producer Rick Rubin pushing their buttons, the Peppers summoned up two discs and 28 tracks' worth of ambition, and sure enough, they can still write hits. The first disc, subtitled Jupiter, is wall-to-wall melodies that bob and weave on Flea's bass playing and Anthony Kiedis' vocal cords. (Lyrically he's still concerned with the abstract fantasia that is his California life, but no matter.) The second disc, Mars, is more experimental...

Author: /time Magazine | Title: 5 Best Albums of May | 4/30/2006 | See Source »

...copyright on the back, but you can be forgiven for thinking this Aussie trio's debut is a misplaced artifact from an early Led Zeppelin session. Not only are the members of Wolfmother blissfully unaware that some people now find the monster guitar solo passé, but they also write Wiccan-ish songs with titles like Joker & the Thief, Witchcraft and White Unicorn ("With the white unicorn across her shoulder/ Makes you think that she might have been someone who's older") that are no less fun for being totally incomprehensible. What raises their unironic embrace of classic-rock cliché above...

Author: /time Magazine | Title: 5 Best Albums of May | 4/30/2006 | See Source »

...reason [the dossiers are] so fat is there’s always a ton of information about teaching.” DEPARTMENTAL DIFFERENCES Martin says there is variance in the level of engagement of senior faculty members in tenure cases. In some departments, every professor will write a detailed letter stating his opinions for appointments outside of his field. In other departments, especially larger ones, professors will write only brief letters when evaluating tenure candidates outside of their fields. “Some departments delegate a bit more than other departments do,” says Martin, who is also...

Author: By Lulu Zhou, CRIMSON STAFF WRITER | Title: In High-Stakes Game, Reputation is Key; Articles Scrutinized | 4/28/2006 | See Source »

Nice to meet you: I am a sociable, competent Harvard student, certainly adept at multitasking, and I get pretty decent grades. I write a fair bit, and I think I’m pretty good at it, and I’m working on a novel that may be turned into a screenplay. Of course, I’m getting some help with it—I am very busy, and ultimately this stuff has to sell. Which brings me to my next point: After this, I want to be an investment banker...

Author: By Rebecca D. O’brien | Title: The Money Tree | 4/28/2006 | See Source »

...seen). Nobody I know at Harvard can completely tune out the temptations of cash or the security and immunity that a Harvard education seems to guarantee now and in the future. If our generation wasn’t set on insta-fame, we wouldn’t write insta-novels. We would be confident in our own writing: confident enough to put it out there for criticism and praise, unwilling to compromise or cut corners. That said, I know an unemployed columnist in need...

Author: By Rebecca D. O’brien | Title: The Money Tree | 4/28/2006 | See Source »

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