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...storyteller. Several of the films up for best screenplay at the Oscars were written by Brits, including The Queen (Peter Morgan) and Notes on a Scandal (Patrick Marber). "The quality of really good British writing has been a tradition for decades," says Vaines. "British screenwriters have a facility with words, a theatricality, but they also understand the way film works as a medium." In the Hollywood power scale, most screenwriters rank just below the guy who buys the bagels, and a finished script is never really finished until the director, the producers and, often, other writers have had their...

Author: /time Magazine | Title: One for the Little Guy | 1/31/2007 | See Source »

...term begins and the 134th Crimson executive guard assumes its duties, we want to take a moment to explain how the editorial page and the opinions on it are produced each day. The process of deciding what to write and who gets to write is a largely hidden from the view of our readers. We believe that the process merits some explanation so that you have a better understanding of why we print what we do, and how your own opinion can be heard on our page...

Author: By The crimson editoral board | Title: The Crimson Editorial Board: How We Work | 1/31/2007 | See Source »

...young man of the play explaining his inner thoughts; he is the older and wiser writer looking back and assessing the consequential forces in his life. Says Simon: "The audience listens attentively because it knows this character is going to become a very successful writer who will write the play the audience is seeing." This frank, almost naked address to the audience gives the play a startling immediacy, despite its nostalgic setting, and a confessional tone far less common in the theater than in the novel...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

...Jerome brothers are screaming at each other about how to write a radio skit. Eugene, the younger, keeps tossing out what he thinks are funny situations. Stanley insists on order and method. The keys to comedy, he says, are "conflict" and "wanting," and every detail must make sense. Eugene demands, "It's just a comedy sketch. Does it have to be so logical?" Stanley, the self-appointed teacher, replies, "It's not funny if it's not believable...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

...took 1,200 pages of drafts?some the product of Simon's compulsive perfectionism, some ordered up by a succession of about a dozen potential producers?to get it staged. Says Simon: "If we had closed, I would have folded my tent and gone out to Los Angeles to write My Three Sons for twelve years." Instead, success followed success: Barefoot in the Park (1963), an evocation of newlywed days; The Odd Couple (1965), based on an experience of Danny's; Sweet Charity (1966), a Bob Fosse musical now enjoying a Broadway revival; Plaza Suite (1968), a trio of bittersweet...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

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