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...concubine in prerevolutionary Shanghai, committed suicide in front of Tan's mother). By 2000, her anxiety had become debilitating. "On the street I was afraid I'd be stabbed in the back," she recalls. "I thought somebody would break into my house and kill me there. I couldn't write. I couldn't walk. I had severe numbness in my feet, to the point where I was looking into getting a motorized wheelchair." Her affliction turned out to be Lyme disease, which she caught in the U.S., probably from an insect bite, though she doesn't know how. Her illness...

Author: /time Magazine | Title: Hostage To Fortune | 11/26/2005 | See Source »

...Paris, Waly keeps a notebook on his bedside table, in which he writes lists of the cash amounts he gives each month to couriers. They fly to Mali - where remittances account for 3.2% of the country's national income - with wads of euros stuffed in their pockets and luggage. With about 300 people from his village of Ambadedi working in Paris - an estimated one-quarter of Ambadedi's entire population - the community has a well-organized network to transfer money, much of which is aimed at avoiding the hefty commissions from banks. "I write careful notes," Waly says. "'Here...

Author: /time Magazine | Title: Follow The Money | 11/26/2005 | See Source »

...this is kind of a "legends" show, with actors pretending to be stars singing their late great hits. Yes, it'd be better if we had composers who could write story songs that translated into hit songs, the way Alan Menken and Tim Rice did for a few years with the Disney animated features that produced "A Whole New World." But since we don't, and haven't for ages, we can do worse than to honor classic pop, including the kind few people realized was classic till...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

...Gaudio was the Seasons' Brian Wilson: a writer-performer who defined the group's tight-harmony sound but soon tired of the road and stayed home to become a full-time pop composer. The moment in Jersey Boys where the Gaudio character hears Valli and says, "I gotta write for that voice," rings true. Valli, fronting the group's tight, muscular harmony, inspired Gaudio, often in collaboration with Crewe, to create two-minute operas that did a lot within the restrictive pop format...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

...through the very obsessions, betrayals and disappointments that were the meat of the Four Seasons', er, oeuvre-I liked their songs but didn't dwell on them. It wasn't till a decade or so ago, when we were vacationing on the Caribbean island of St. Martin (whence I write this), that a Seasons tribute group did an evening of their songs. The stuff sounded richer, more mature, worth cherishing beyond its nostalgia value...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

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