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...also taking a more intuitive look at digital editing. I?m building a digital editing system which is much simpler. And it?s got a different interface, it?s got the kind of interface we had on edit-to-write, which is a different kind of controller that allows the editor to not to have to think about what he?s doing in terms of manipulating the machine, it just happens automatically...

Author: /time Magazine | Title: A Conversation with George Lucas | 3/14/2006 | See Source »

...perfectly executed, but the intentional attempt by the performers and the stage director to alienate the audience and complicate the script often obscure the basic storyline. Very rarely do the actors interact with each other, choosing instead to act for the audience. Weill and Brecht do write scenes of the opera intended to be addressed to the audience, but the LHO actors tend to do it all too often.While titled “The Threepenny Opera,” it might be more apt to call it a musical, as the work depends heavily on the spoken scenes in between...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Modern Opera Seems Distant | 3/13/2006 | See Source »

...never had a problem with writer's block, but there were just too many ideas piling up in his head. So when he and journalist Peter de Jonge came up with an idea for a golf novel, Miracle on the 17th Green, he thought, Why not just write it together? "Peter's a much better stylist than I am, and I'm a much better storyteller than he is. It's another way to do things...

Author: /time Magazine | Title: Books: James Patterson: The Man Who Can't Miss | 3/12/2006 | See Source »

...written eight of his novels. He'll whip up a detailed outline, then ship it off to his collaborator for a first draft. "I may talk to them on a couple-week basis," he says. "And then at a certain point I'll just take it over and write as many as seven drafts. There were a couple of them that really were a mess," he adds ruefully. "At least twice it's been, 'I wish that I just started this thing myself.'" It's rare for big-name authors to use co-writers, and rarer still for them...

Author: /time Magazine | Title: Books: James Patterson: The Man Who Can't Miss | 3/12/2006 | See Source »

...collaborator, Andrew Gross, used to run the sports-equipment company Head, but his dream was to write novels, and he couldn't get any traction with publishers. One day he got a call: Patterson had seen his manuscript and wanted to have breakfast. "Basically what he said was, I've got a lot of stories to tell, and nobody has the resources to tell 'em all, and would I like to talk about a project with him?" That was the beginning of a seven-year partnership, a highly educational one for Gross--he jokes that it's the equivalent...

Author: /time Magazine | Title: Books: James Patterson: The Man Who Can't Miss | 3/12/2006 | See Source »

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