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...community, is very healing and powerful." What's more, the eclipse of the concept album, which has accompanied the rise of iTunes and the return to primacy of the single, may be making the Broadway stage more attractive to composers who want to tell stories, not just write songs...

Author: /time Magazine | Title: Life After Rent | 2/29/2008 | See Source »

...their heart of hearts," says Stew (real name: Mark Stewart), the creator and composer of Passing Strange, "I think every rock-'n'-roll guy who always laughs at the American musical in truth wants to write a musical. You don't want to be with a touring band every night. And it gives you a chance to tell a story." A native of Los Angeles who has been recording albums and doing cabaret shows with his band, the Negro Problem, for the past 10 years, Stew, 46, had seen only one musical--How to Succeed in Business Without Really Trying...

Author: /time Magazine | Title: Life After Rent | 2/29/2008 | See Source »

...Heights, had a bit more experience with musicals than Stew did--he got what he describes as a "lethal dose of musical theater" while acting in shows at his New York City grade school (the short Puerto Rican sixth-grader played Conrad Birdie in Bye Bye Birdie). He started writing In the Heights when he was living in the Latino house at Wesleyan University in Middletown, Conn., incorporating the hip-hop that he had grown up listening to as well as the Latin styles of favorite artists like Rubén Blades, Gilberto Santa Rosa and Juan Luis Guerra. "I wanted...

Author: /time Magazine | Title: Life After Rent | 2/29/2008 | See Source »

TIME: You write about such dark subjects. What was it like for you growing up?Picoult: I had this ridiculously happy childhood. I had absolutely no trauma in my childhood. If anyone ever assumed that my books were autobiographical, they'd be sorely disappointed, because none of these things happened...

Author: /time Magazine | Title: In Prison with Jodi Picoult | 2/29/2008 | See Source »

...Another wide open three, another miss for Harvard (This time via Housman). Housman, clearly frustrated, draws his third personal foul. On the reset, Harvard picks up another quick foul, this time on McGeary. That's the team's sixth foul. And as I write that, Harvard picks up ANOTHER foul, this time on Unger. Big Ben gets the and one opportunity but misses the free throw. [Columbia 50, Harvard...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON LIVE: Men's Basketball at Columbia | 2/29/2008 | See Source »

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