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What would you write if you could write absolutely anything? This is the question that, as a reader, one imagined David Foster Wallace facing. Whereas ordinary authors resorted to the standard tricks of the trade--write what you know, look deep into your soul, whatever--Wallace seemed to have no earthly constraints. He knew everything and could look into anybody's soul he wanted to. Any writer in America would have killed for his talent, but the man to whom it belonged killed himself. On Sept. 12, Wallace's wife discovered his body at their home in Claremont, Calif...

Author: /time Magazine | Title: David Foster Wallace: The Death of a Genius | 9/18/2008 | See Source »

Even in his own country, Ayckbourn has never received the critical respect accorded contemporaries like Tom Stoppard and David Hare. They write "important" plays about political issues or world-famous physicists or 19th century Russian philosophers. Ayckbourn's realm is smaller and more familiar - the domestic and romantic predicaments of modern, middle-class Brits. Yet no one has probed more acutely, or with a finer balance of laughter and pain, the sad human drama behind these tidy surfaces: the inability of people to connect, to see the casual cruelty they inflict on others, to come to terms with their failed...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

...then a thriller and then a serious play. With the comedy, all the lights came up to full. And everyone was very, very loud and terribly fast. And in the serious plays, it was positively dark, and everyone was talking very quietly. And I thought, I'd love to write a very, very slow comedy, with none of the lights on. And then I'd write a very bright tragedy, with lots of lights...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

...some trepidation about returning to writing. But once he plunged in (Life and Beth is his first post-stroke work), he found it came as easily as before. Ayckbourn writes quickly, typically barreling through a complete draft in 10 days. "My attitude with plays is they're like pictures, in a sense," he says. "You have to write them in the frame. If you stop in the middle of a picture, I imagine, leave it for several weeks and start again, you're going to get a lopsided composition. Some of my best writing comes from serendipity. [Unexpected] things drop...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

House: Currier Concentration: Social Studies Hometown: The T-Dot (Toronto, for the uncultured) (Canada, for the really uncultured) Ideal Date: My date would write my thesis and get me a job while I enjoyed my senior year What do you look for in a girl/guy: Confidence, intellect, a great smile, and the complete understanding that I am always right Where to find you on a Saturday night: Anywhere there’s music Your best pick up line: Do I know you? Because you look a lot like my next boyfriend Best or worst lie you’ve ever...

Author: NO WRITER ATTRIBUTED | Title: Scoped! | 9/17/2008 | See Source »

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