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...also had a series of 11 low-budget Workshop productions. Besides providing one student a chance to test his playwrting on audiences (as indicated earlier), the Theatre Workshop gave Beckett's Krapp's Last Tape, Ionesco's The Bald Soprano, Adamov's Professor Taranne, Fry's A Phoenix Too Frequent, Synge's Shadow of the Glen, Genet's The Maids, David English's Waiting for Goodman, Robert Shure's Twink, Ionesco's Jack and O'Neill's The Rope. The production of the last-named was totally inept, but the rest were well worth a visit, with outstanding performances...

Author: By Caldwell Titcomb, | Title: Harvard Theatre Has Busiest Year Yet | 11/12/1960 | See Source »

...other five works were plays. One of these was put on by the Harvard Dramatic Club's Theatre Workshop: The Prophet, by Gerald P. Burns '62, awkward exercise in portraying a Second Coming amid juvenile delinquency. Judith Abrams '60 and Sheila A. Greibach '60 collaborated on written for performance at Radcliffe on Senior Class Day. The other three items, of which more below, were The Beloved, by Timothy '60; The Card Game, by John D. Asher '61; and Oh Dad, Poor Dad, Mamma's Hung You in the closet and I'm Feelin' So Sad, by Arthur L. Kopit...

Author: By Caldwell Titcomb, | Title: Harvard Theatre Has Busiest Year Yet | 11/12/1960 | See Source »

...fourth year, the Harvard Opera Guild offered five productions. It provided unpretentious fun in the fall with Workshop productions of Menotti's The Telephone and Wolf-Ferrari's The Secret of Suzanne. Ill-advisedly, the Group mounted in the spring a new English translation of Mozart's Abduction from the Seraglio, which, except for the Blonda of Vivian Thomas '60, was far beyond the abilities of everyone concerned...

Author: By Caldwell Titcomb, | Title: Harvard Theatre Has Busiest Year Yet | 11/12/1960 | See Source »

...British people back on the stage, and the British people, of every variety, are filling the audience too. Long black Bentleys and Rolls-Royces of the Establishment quietly rubber into Stratford East every evening. But it is Joan Littlewood's proudest claim that two-thirds of the Workshop's audience come from within five miles of the playhouse...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

...Ewan MacColl, then known as Jimmy Miller, who later became her husband. The ten-member troupe traveled the north country in an ancient truck, often using the tailgate for a stage. Scattered in World War II, five of the players were killed; the other five grew into the Theater Workshop...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

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