Word: working
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Dates: during 1970-1979
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...years of New York's Attica State Prison (and a lifetime total of more than 35 years in jail), Willie ("The Actor") Sutton, a tired, sick old man of 68, was ready with some wistful reminiscing of his own. "People don't seem to want to work hard for anything any more," said Willie. "Years ago, cons used to approach me in various prison yards and ask me to lay out a bank job for them. But not lately. These young kids don't believe in hard work." Though Sutton's own hard work may have...
...money, but also because young Negroes commonly distrust the law in practice. Many see it in terms of white police and white judges using white law against blacks. The upshot is that only 2% of U.S. lawyers are black. They number about 3,000, and most of them work in Northern cities. In Mississippi, for example, where Negroes represent more than 42% of the state's population, there are only 17 black lawyers...
Edward Falk, a 43-year-old New Jersey carpenter, could not work last year because of shortness of breath. By early October he could not even summon up enough wind to get out of bed. His complaint was emphysema, a condition in which the myriad tiny sacs on the inner surface of the lungs become blistered, scarred and fibrous. With their loss of elasticity, they lose the capacity to exchange carbon dioxide and life-sustaining oxygen. Once considered an uncommon disease, emphysema is now being diagnosed much more often. In most cases, as in Falk's, the underlying cause...
...only long-term survivor with another man's lung but with his own heart has been Alois Vereecken, a Belgian metalworker who lived ten months after a 1968 transplant. Edward Falk quickly regained consciousness, his new lungs took up their work of oxygenation, and at week's end his condition was described as good...
Some listeners regard the result as a denial of song. But last week, conducting a performance of the new production, Boulez turned Pelleas into a musical affirmation by treating the drama not as a fairy tale but a human story. Thus he brought passion and pain to a work that all too often seems pale. In the famous scene where Melisande (Soprano Elisabeth Soderstrom) looses her hair over the ardent Pelleas (Tenor George Shirley), Boulez whipped the music to a Tristan-like sexual intensity. Then, at the entrance of Melisande's jealous husband Golaud (Baritone Donald McIntyre...